Nice to see the Red Sox reeling off some victories these days that have forced me to add two-mile walks to my daily routines, so that on days when I don’t get to the gym, I still get out and do something. It was particularly important this past weekend after I took Friday off from exercising and had to eat out twice in a row. I know what you’re thinking–“Had to? Right…” but it’s true. As I continue to look for work, I have applied for managerial work at Plan B Burger, an outstanding Burger, Beer, and Bourbon chain here in Connecticut (but coming soon to DC and Boston), and as part of the application process, I had to eat at two locations. I was so excited to do so that I ate both lunch and dinner at the chain Friday. I highly recommend Plan B–their burgers are outstanding, and everything else I’ve tried on the menu has been a distinct treat as well. In particular, you should get the Disco Fries–french fries covered in cheese and gravy (probably not the best thing to discuss in an exercise column, but treating yourself every once in a while is important in life, right?).
Saturday, June 23, 2012
2+ mile walk to commemorate Red Sox victory #36 of the 2012 season
- Can’t Stand It–Wilco
- Can’t Stand Losing You–The Police
- Can’t Stop–Maroon 5
- Can’t Stop the Rain–Cascada
- Can’t Stop This Thing We Started–Bryan Adams
- Can’t Take It–The All-American Rejects
- Can’t Take My Eyes Off Of You–Lauryn Hill
- Can’t Tell Me Nothing–Kanye West
- Canadian Idiot–“Weird Al” Yankovic
- Canajoharie–They Might Be Giants
- Canary in a Coalmine–The Police
- Canceled Check–Beck
- Candle in the Wind–Elton John
- A Candlelit Dinner with Inamorta–Asking Alexandria
- Candles–Hey Monday
- Candy–Jackson Brown
- Candy–The Presidents of the United States
- Candy Everybody Wants–10,000 Maniacs
I mentioned recently that Wilco’s collaboration with Billy Bragg was when I first became interested in the band, and that initial spark grew when I started listening to my wife’s copy of Summerteeth. I enjoyed the album enough that I bought the next Wilco album, Yankee Foxtrot Hotel, on its release, which turned out to be an excellent decision, if I do say so myself. But “Can’t Stand It” is from the previous album, and while I love the song, I do understand why it wasn’t a mainstream hit for the band, despite their record label’s best efforts. During this walk I would get two different early Police songs, with the first, “Can’t Stand Losing You”, being the bigger hit of the two, but as I get older in life, I’m finding myself enjoying the less-known “Canary in a Cole Mine” more.
I hit a run of pop hits starting with Maroon 5. One thing I’ve noticed about Maroon 5 songs is that they all sound like hit singles even if they were never released as singles. The Cascada song was a hit single, but one my kids enjoyed more than me. The last pop hit in the run was from Bryan Adams. In the 80’s I was a big fan pf the Canadian superstar, but as he released later albums, I was less interested in the songs. I think this was equal parts of my musical interests changing and Adams’ music getting a little more soft rock than it had been. The All-American Rejects broke me out of my top 40 run with an album cut from their breakout album “Move Along”. By the way, if you get a chance to see them live, I highly recommend them. In fact, they are the last act I’ve seen in concert.
While I enjoy Lauryn Hill’s version of “Can’t Take My Eyes Off Of You” (she gives it, like all her songs, an ethereal soulful quality), I still can’t hear the song without thinking of Heath Ledger’s performance of the song in the movie 10 Things I Hate About You, a teen romance version of Shakespeare’s Taming of the Shrew, (see, learning the classics can be fun), which gives the song a sad edge. Kanye ends the “Can’t…” portion of my list with “Can’t Tell Me Nothing”, which is such a great song that I’m willing to overlook the double negative.
Things take a turn for the humorous and offbeat with a Weird Al parody of Green Day, and a They Might Be Giants song, “Canajoharie”, which I thought at first was a made-up name, but is in reality a town in New York. The Beck song reminded me of how much I like listening to Beck and that I let too much time go between album plays for the group. I’m glad the only version of “Candle in the Wind” that we own is the original version–I found the newer version tweaked for Princess Di a little bit tacky. I got to hear another Asking Alexanderia song (still not a fan), followed by original and Glee versions of “Candles”.
Three versions of “Candy…” songs closed the list, and each approached a different take on the subject. The Jackson Browne version is about a woman named Candy, while the Presidents of the United States are singing about literal candy. 10,000 Maniacs sings about metaphorical candy in their song (television), which was even better when the Kinks did it a decade earlier in “Give the People What They Want”.
Sunday, June 24, 2012
2+ mile neighborhood walk to commemorate Red Sox victory #37 of the 2012 season
- Candy Everybody Wants–10,000 Maniacs
- Candy Everybody Wants [live]–10,000 Maniacs
- Candy Everybody Wants [single version]–10,000 Maniacs
- Candy Floss-Wilco
- Candy’s Boy–Bruce Springsteen
- Candy’s Room–Bruce Springsteen
- Candy’s Room–Crazysloth
- Cannibal Resource–Dirty Projectors
- Cannonball-The Breeders
- The Cap’n–They Might Be Giants
- Cape Cod Kwassa Kwassa–Vampire Weekend
- Capri–Colbie Caillat
- Captain Jack–Billy Joel
- Caramel–Suzanne Vega
- Caramel–Suzanne Vega
- Carbon Monoxide–CAKE
- The Card Cheat–The Clash
After closing the Saturday walking session with the unplugged version of “Candy Everybody Wants”, I opened with three more versions of the song, including the album cut, a live version that includes Michael Stipe from a CD single for “Few and Far Between”, and the version from its own CD single. Hearing this song three more times reminded me just how much I loved 10,000 Maniacs in college and the first few years out of school. Seeing that I got into the Talking Heads to impress a girl, I feel like 10,000 Maniacs were the first band I discovered without radio airplay for me. And that run of In My Tribe, Blind Man’s Zoo, Our Time in Eden, and Unplugged was just spectacular. The other amazing aspect of their run was the CD singles, particularly those mentioned earlier. I’d buy them even though I owned the album with the hit because there’d be three other songs with each, such as the group’s cover of “Don’t Go Back to Rockville” or their version of “Let the Mystery Be” done with guest David Byrne. I don’t seem to see releases like that any more.
I got another Summerteeth track from Wilco, and it helped me learn that candy floss is a synonym for cotton candy. My run of “Candy…” ended in symmetry as I got a final group of songs about “Candy…” that referred to a woman with that name. The first was from the Bruce Springsteen album The Promise, and was an earlier version of what would eventually become “Candy’s Room”, which we also own a cover version from the Light of Day album. After a Dirty Projectors number, I got to hear two different, yet both highly entertaining songs with the title “Cannonball”. If forced to pick, I’d choose the Breeders version, but I’d have no problem listening to the Supertramp song as well. Things take a turn for the awesome with one of my favorite more recent They Might Be Giants songs and another travelogue from Vampire Weekend’s first album.
Colbie Caillet led into an early Billy Joel hit, “Captain Jack” (see how smart They Might Be Giants were to name their track “The Cap’n” so theirs came before “Captain Jack”!) Excellent close to my workout list with Suzanne Vega getting me hungry for dessert, a hunger that grew when I realized my next song was performed by CAKE–so tasty they should be in all capital letters. Any time you get a song from London Calling, one of the greatest albums of the Rock era, is a good time, and I also enjoyed the track from Paramore to close the weekend’s work.