Back into a routine

Boy that was quite the list of songs I dumped on you last time, and if it got to a point where your eyes glazed over and you skipped to the bottom, I understand completely and apologize. I’m attempting to make sure that doesn’t happen again, although I am now six visits behind again, although it’s for a good reason–while I was preparing that massive list, I’ve found my exercise inspiration and have gone to the gym each of the last six days (so I have to go tonight to make it a solid week!). It feels great to be back on an exercise routine–it may be my imagination, but when looking in the mirror this morning, my face looked thinner. I think I’ll have a cheeseburger to celebrate!

Friday, August 24, 2012

2.75 miles on the elliptical machine plus upper-arm weight work at the gym

  • Day Tripper–The Beatles
  • Day Tripper–The Beatles
  • Daybreak–Barry Manilow
  • Daylight–Drive-By Truckers
  • Days/This Time Tomorrow–Ray Davies
  • Days Go By–Keith Urban
  • Days Like These–Asia
  • Daysleeper–R.E.M.
  • Dazed and Confused–Led Zeppelin

There’s certainly no problem hearing a song two consecutive times when it opens with an amazing guitar riff like “Day Tripper”, which is certainly my favorite Beatle opening and is in the all-time running as well. As an added bonus, hearing the name of the song makes me think of The Daytrippers, a great independent movie from the 90’s featuring Parker Posey. (Boy, she truly was the Queen of the Indys back then–Party Girl, Clockwatchers, The House of Yes, and more.) If you are looking for a musical talent to pair with the Beatles, there aren’t many candidates that can hang with the power of Lennon-McCartney-Harrison-Starr, but Manilow is one that works, right? (I kid, I kid, for the most part, but I still enjoy the occasional Manilow number.)

Two of the next three songs fit into the broad “country” label, with my preferred group being the Drive-By Truckers. The Keith Urban song is one I’m less familiar with, even though it was on one of my daughter’s first CDs she ever owned, Now That’s What I Call Music 17. Those modern-day K-Tel collections always collect 20 songs and 18-19 are pop, rock, or hip-hop, with one of two country songs thrown in, and Urban filled the quota on Volume 17. Sandwiched between the songs was one of my favorite numbers from the Ray Davies compilation of re-imagined Kinks numbers See My Friends, the medley of “Days” and “This Time Tomorrow” with Mumford & Sons. The Asia song “Days Like These” was an add-on song to their greatest hits collection (isn’t releasing a best of album after three studio albums a little ridiculous?).

After the R.E.M. song “Daysleeper”, it was time for some live Led Zeppelin. Usually I get to hear 12-15  songs during a gym workout, but today was only nine, owing to the 26-minute length of “Dazed and Confused”, meaning I thought this song would never end. (I guess when The Song Remains the Same was released as a double-record, this song was a side unto itself–easier to skip!)

Saturday, August 25, 2012 

3.12 miles on the elliptical machine at the gym

  • De Do Do Do, De Da Da Da–The Police
  • De Todo Un Poco–Michael Lloyd & Le Disc
  • Deacon Blues–Steely Dan
  • Dead–The Pixies
  • Dead–They Might Be Giants
  • Dead End Street–Ray Davies
  • Dead Hearts–Stars
  • Dead Horse–Guns N’ Roses
  • Dead Letter–Elvis Costello
  • Dead Man (Undertaker)–WWE
  • Dead Melodies–Beck
  • Dead Men Tell No Tales–Set Your Goals
  • Dead of the Night–Bad Company
  • Dead on Arrival–Fall Out Boy
  • Dead on Arrival–Fall Out Boy
  • Dead on Arrival–Fall Out Boy
  • Dead or Alive–Journey

Old school Police is an excellent way to get the exercise ball rolling, even if an instrumental number from the second Dirty Dancing soundtrack follows and attempts to kill all forward momentum. When I play the “worst CD purchase I ever made” game, that secondary bonus soundtrack is a strong, strong contender. It’s so bad that I even feel guilty trying to pass it off as something my wife brought into our relationship. I have to take full responsibility for it. I will also take credit for the Steely Dan in our collection, although it is only a greatest hits collection, which I think is more than enough for me.

The music of the “Dead..” starts next, and I’m talking literal titles, not selections from Jerry Garcia’s band. I own two simple “Dead” songs from great sources–The Pixies and They Might Be Giants. I’m more attached to the TMBG song historically, but who doesn’t love the source of the Pixies’ number, the amazing album Doolittle?  I then got another Ray Davies offering from See My Friends (it seems like an inordinate number of tracks on the album start with ‘D’–3 of 14 to be exact). I highly recommend this album, which has received a significant bump in plays in the family household recently.

“Dead Hearts” is an excellent number from the Montreal-based band who, if you’re looking for a new album to enjoy, will be releasing their latest, The North, next week (9/4/12).  This was followed by a hate/love combo for my wife, as she cannot stand Guns N’ Roses, but I think I could have gotten her to hang on through the song with the promise that Elvis was coming up next. Of course, a WWE theme following would have gotten her to leave post haste, even if it is one of the many cool variations on the Undertaker’s music. She’d eventually regret leaving, as she would then miss an awesome Beck number (it’s like the alphabetical list is playing tennis with my wife’s musical emotions!)

I’m still not entirely sure how I feel about Set Your Goals, one of the many new musical acts my son got into this past summer. I probably need to give their work more attention before making a decision. I do feel fine about one of my daughter’s groups, Fall Out Boy, but they’ve been part of our library for a much longer timeframe. (Although I’m not a big enough fan that hearing “Dead on Arrival” three times in a row made me happy.) My list closed with some Raised on Radio Journey, the album that made us realize that group was effectively “Dead…” and is now just a touring nostalgia act.

 

1111–Make a Wish

For my kids, any time they see 11:11 on a digital clock face, they say “11:11–make a wish!” When setting up my post for today, I noticed that I’ve now had 1,111 total page views, so I decided to make some wishes concerning this blog. I don’t believe I can share the specifics of the wishes if I want them to come true, but with the wishes topic being the blog, it’s probably pretty easy to guess their general direction. (And let’s just say I’d like to be making the 11,111 views wish sooner than later).

I have finally decided to catch back up, so this entry is going to be for the last several weeks, as well as 5 Red Sox victories (which will not catch me up with them, but will get me closer seeing that they’ve kindly decided to win only one game in the last week). There will be less total commentary, but you will see that I’m now over 2,000 songs and have crossed into the ‘D’ entries. (I apologize for hitting so many songs at once, but I figure it’s the only way to get back on track and on time, particularly with how little blogging I’ve done the last week, first from excitement that my job hunt may have finally ended, and then my sadness that the job hunt has to continue, and there doesn’t seem to be anything imminent).

August 4-23, 2012

Multiple gym visits plus 5 2+ mile walks to commemorate Red Sox victories 44 through 48 of the 2012 season

  • Crazy For You–Madonna
  • Crazy For You–Madonna
  • Crazy In Love–Beyonce
  • Crazy Life–Toad the Wet Sprocket
  • Crazy Little Thing Called Love–Queen
  • Crazy Love, Vol. II–Paul Simon
  • Crazy Man Michael–Fairport Convention
  • Crazy Ones–John Mellencamp
  • Cream–Prince
  • Creatures of Love–Talking Heads
  • The Creep–Lonely Island
  • Creeping Death–Metallica
  • Creeping Out Sara–NOFX
  • Creeque Alley–The Mamas and the Papas
  • Cremation–Lou Reed
  • Crescent Moon–Cowboy Junkies
  • Cressida–Richard Thompson
  • Crime of the Century–Supertramp
  • Crimes of Paris–Elvis Costello
  • Crimes of Paris [Electric Edition]–Elvis Costello
  • Criminal–Disturbed
  • Crimson and Clover–Joan Jett
  • Crocodile Rock–Elton John
  • Cropduster–Pearl Jam
  • Cross Bones Style–Cat Power
  • Cross My Fingers–John Hiatt
  • Cross The Border–Icehouse
  • Cross-Eyed Mary–Jethro Tull
  • Crosseyed And Painless–Talking Heads
  • Crosseyed And Painless–Talking Heads
  • Crosseyed And Painless–Talking Heads
  • Crossroads–Cream
  • Cruella De Vil–Los Lobos
  • Cruella DeVille–The Replacements
  • Cruisin’ in the ATL (Interlude)–Outkast
  • Crumbs From Your Table–U2
  • Crunchy Granola Suite [Live]–Neil Diamond
  • Crush–Glee Cast
  • Crushcrushcrush–Paramore
  • Cry Baby Cry–The Beatles
  • Cry Freedom–Dave Mathews Band
  • Cry If You Want–The Who
  • Cry on My Shoulder–Bonnie Raitt
  • Cry To Me–Solomon Burke
  • Cry, Little Sister (Theme From The Lost Boys)–Gerard McMann
  • Crying–TV on the Radio
  • Crying in the Chapel–Elvis Costello
  • The Crying Scene–Aztec Camera
  • Crying, My Little One…–Natalie Merchant
  • Crystal–Fleetwood Mac
  • Crystal Ball–Styx
  • The Crystal Ship–The Doors
  • Cup of Coffee–Garbage
  • Cupid–Sam Cooke
  • Cupid’s Chokehold/Breakfast in America (Radio Edit)–Gym Class Heroes
  • Curiosity–k.d. lang
  • The Curse–Disturbed
  • Curtain Calls–Old 97’s
  • Cut Flowers–The Smithereens
  • Cut My Hair–The Who
  • Cuts Like a Knife–Bryan Adams
  • The Cutter–Echo & The Bunnymen
  • Cutting Corners–Transit
  • Cuyahoga–R.E.M.
  • Cuyahoga–R.E.M.
  • Cyclone–Baby Bash featuring T-Pain
  • Cyclops Rock–They Might Be Giants
  • D & W–They Might Be Giants
  • D Is for Drums–They Might Be Giants
  • D-7 [Live]–Nirvana
  • D.F. [Interlude]–Outkast
  • Dad’s Gonna Kill Me–Richard Thompson
  • Daddy Can I Turn This?–Elvis Costello
  • Daddy Come Home–Tom Tom Club
  • Daddy Go Down–David Byrne
  • Daddy Learned To Fly–Drive-By Truckers
  • Daddy Needs A Drink–Drive-By Truckers
  • Daffodil Lament–The Cranberries
  • Daft Punk Is Playing At My House–LCD Soundsystem
  • Daktari–10,000 Maniacs
  • Damaged By Love–Tom Petty
  • Damaged Goods–Fastball
  • Damnit–Blink-182
  • Damnit–Blink-182
  • Damnit Janet–The Rocky Horror Picture Show
  • Damn Girl–Justin Timberlake
  • Damn Girl–The All-American Rejects
  • Damn Good Times–They Might Be Giants
  • Damn It, Janet–Glee
  • Damnation’s Cellar–Elvis Costello
  • Damned If I Do Ya (Damned If I Don’t)–All Time Low
  • Dance–Soul II Soul
  • Dance Hall Drug–Boys Like Girls
  • Dance Inside–The All-American Rejects
  • Dance of the Dream Man–Angelo Badalamenti
  • Dance of the Reeds–Baltimore Symphony Orchestra
  • Dance of the Sugar Plum Fairy–Baltimore Symphony Orchestra
  • Dance On Vasoline–David Byrne
  • Dance This Mess Around–The B-52’s
  • Dance With Me–Drew Seeley featuring Belinda
  • Dance With the Devil–Breaking Benjamin
  • Dance, Dance–Fall Out Boy
  • Dance, Dance–Fall Out Boy
  • Dance, Dance [live]–Fall Out Boy
  • Dance, Dance, Dance–The Beach Boys
  • Dance, Dance, Dance–The Steve Miller Band
  • Dancing Bear–The Mamas and The Papas
  • The Dancing Bear–Natalie Merchant
  • Dancing Choose–TV on the Radio
  • Dancing For Rain–Rise Against
  • Dancing in the Dark–Bruce Springsteen
  • Dancing in the Street–Martha Reeves & the Vandellas
  • Dancing Queen–ABBA
  • Dancing Queen–ABBA
  • Dancing Queen–Glee Cast
  • Dancing Through Life–Wicked Cast
  • Dancing With Myself–Billy Idol
  • Dancing With Myself–Glee Cast
  • Dangerous–The Who
  • Dangerous Games–The Byrds
  • Dangerous Politics–WWE
  • The Dangling Conversation–Simon & Garfunkel
  • The Dangling Conversation–Simon & Garfunkel
  • Dani California–The Red Hot Chili Peppers
  • Daniel–Elton John
  • Danny Says–Foo Fighters
  • Dare You To Move–Switchfoot
  • Dark Hand Over My Heart–Richard Thompson
  • The Dark I Know Well–Spring Awakening Cast
  • The Dark Of the Sun–Tom Petty and the Heartbreakers
  • Dark Side (Undertaker)–WWE
  • Dark Sneak Love Action–Tom Tom Club
  • Dark Street–Fastball
  • Dark Was The Night–Kronos Quartet
  • The Darkest Side (Remix)–WWE
  • Darkness–Peter Gabriel
  • Darkness on the Edge of Town–Bruce Springsteen
  • Darkness Surrounding–Avenged Sevenfold
  • Darlin–Avril Lavigne
  • Darlington County–Bruce Springsteen
  • Date To Church–The Replacements
  • Daughter–Pearl Jam
  • Daughters–The Story So Far
  • Daughters of Sorrow–The New Pornographers
  • Dave’s Possessed Hair/It’s What We’re All About–Sum 41
  • David Watts–Ray Davies
  • Dawn of the Dreads–Arrested Development
  • Dawn’s Ballet–Buffy the Vampire Slayer cast
  • Dawn’s Lament–Buffy the Vampire Slayer cast
  • The Day–They Might Be Giants
  • The Day I Tried To Live–Soundgarden
  • A Day in the Life–The Beatles
  • The Day That Love Come To Play–They Might Be Giants
  • The Day The Niggaz Took Over–Dr Dre featuring  RBX, Snoop Dogg, Dat Nigga Daz

Well, that is a *lot* of songs–and there’s no way I’ll be able to provide my usual (arguable) high-quality analysis per number that I usually give, so let’s hit some high (and low) points. “Crazy For You” is one of my favorite Madonna songs for a couple of reasons–first of all, I fully admit to being a sap for the slow numbers, second, it’s part of the soundtrack of a great movie, and finally, it was a big slow-dance song during high-school dances back in the day. I finish up the “Crazy…” section of my list with diverse superstar artists including Beyonce, Queen, John Mellencamp, and Paul Simon. When writing the artist for “Crazy Man Michael”, I initially assumed it was Richard Thompson thanks to the album cover, but it was actually a track from Thompson’s early band Fairport Convention–that’s the nice thing about a boxed set; you get the full spectrum of an artist’s career.

I always have had a bit of a soft spot for the Joan Jett version of “Crimson and Clover” as I won the 45 of the song at a Bar Mitzvah I attended in 8th grade. I wasn’t into music yet (that would come a year later), but I was excited to play it and “Juke Box Hero” but had to wait until I could get to the record store as my mother’s record player did not have an adapter for 45’s. So I think I had to wait until the following weekend until we could get to the Strawberries at the mall to listen to my new music. The John Hiatt song is just one of many from the awesome Perfectly Good Guitar album, a decade-plus staple on my “Desert Island Discs” list. As I have shared before, the Icehouse album Man of Colors is also on that list, which led me to purchase another selection from the group, Great Southern Land, which contains “Cross the Border”, but I did not connect with that album as much.

One effective test of a good song is how much you can tolerate consecutive listens, and three “Crosseyed and Painless” copies worked just fine for me. (Full disclosure, one was from the Stop Making Sense soundtrack, so there was some variety.) But I can honestly proclaim that I would have enjoyed a few more listens. “Cuyahoga” works with two listens for me as well. By the way, I can’t be the only person stunned that the Replacements covered a Disney song, right? I can always count on They Might Be Giants to open a letter with something from their ABCs album, but here the hit double duty, as their “Cyclops Rock” got to close ‘C’ before we started on the ‘D’ songs.  Another funny double-up happened when the Drive-By Truckers hit consecutive “Daddy…” songs as apparently he “…Learned to Fly” and “…Needs a Drink” (hopefully in that order as I assume drunk flying is just as bad as drunk driving.

I’d like to call attention to “Daft Punk Is Playing At My House” by LCD Soundsystem. When it first came out, I was drawn to the song through a pair of unusual methods, with one (OC soundtracks) being a bit more unusual than the other (a video-game soundtrack, specifically an SSX game for my PSP). I will admit loving the song has yet to inspire me to purchase more LCD Soundsystem, although I did enjoy the song and video for their “Drunk Girls” song. I had another one of those grammar choices splitting to versions of a song when the Glee folks broke from the soundtrack of the Rocky Horror Picture Show and turned Damn it into two words. I’d tend to side with the original source material, but I will say that every time I type
“Damnit” as one word, I get the annoying red squiggle underline indicating a misspelling.

It’s always fun to see how quickly a new acquisition shows up in this alphabetical endeavor. My oldest daughter recently purchased the Once More With Feeling soundtrack from Buffy the Vampire Slayer, and two days later I get a pair of “Dawn…” songs from the release. The irony is that she’s my least favorite character from the show. The “Day…” song that must be mentioned is the amazing “Day in the Life” by the Beatles. I’m happy that iTunes has the rights to the Beatles catalogue because otherwise I’d be afraid that Billy Crystal’s joke about kids not knowing who the Beatles are will come true. (It probably does have a kernel of truth these days–after all, the Beatles have not released music in 40+ years and two of them are no longer with us.) The last song and artist was a bit problematic for me. I love the album “The Chronic”, and I of course want to faithfully record the song and artist, but one of the words on each side is a bit problematic to type (I think it’s fairly obvious which word I mean.) But type it I did, but just don’t ask me to say it.

Live Versions, Duplicates, and Dance Remixes

As regular readers will remember, I pledged to walk 2 miles for each victory of the Red Sox season in addition to any gym visits I had. But a funny thing happened on the way to the 2012 World Series–the Red Sox became a mediocre team. Honestly, I can take a .500 season–it’s unrealistic to expect the playoffs every year and after two World Series victories in 4 years after nothing my entire life, I can be patient, particularly if something better is being built. But this team is so unlikable. It started in the off-season with the hatchet job the Sox did on Terry Francona after they let him go; he skippered the team to 2 World Championships including the biggest comeback in the history of the sport against our most hated rivals, so how about a little dignity on the way out? They compounded that with the hiring of a self-serving blowhard who seems to think people follow a team to watch him and not the players on the field. Combine that with a tone-deaf front office and jerk players, and this is far and away the most unlikable Red Sox team of my lifetime, topping the “25 players, 25 cabs” squads of the later 70’s. But a promise is a promise and I’m more than 10 wins behind so I’ve done some bonus walking recently, and one of those walks is covered today.

2+ mile walk to commemorate Red Sox victory #43 of the 2012 season

  • Crank That (Soulja Boy)–Soulja Boy
  • Crank That (Soulja Boy)–Soulja Boy
  • Crash–Sum 41
  • Crash & Burn–Blues Traveler
  • Crash And Burn–The Bangles
  • Crash Course–Crash Test Dummies
  • Crash Into Me–Dave Mathews Band
  • Crash Years–The New Pornographers
  • Crawl–Breaking Benjamin
  • Crawl–Kings of Leon

We all have those “I used to like that song? Really?” spotty moments in our past history, and for my son, Soulja Boy is a shining example of that phenomenon. Now to be fair, “Crank That” was a big hit when he was in middle school and everyone in his peer group, including his twin sister, were into the song, but I think he really looks at the track as a past embarrassment, unlike a Sum 41, which starts the “Crash…” section of the playlist. The rest of the “Crash…” songs come from artists beloved by either my wife or me, starting with the boys from Blues Traveler. They’re a band my wife likes and they are apparently the more informal band, as they put an ampersand between “crash” and “burn” as opposed to the Bangles, who decided to spell out “And”.  I can’t be the only one surprised that Canadian superstar band (nominated for 11 Juno Awards!) Crash Test Dummies haven’t hit it bigger here in the US…I can’t be the only one that understands I’m kidding, right? If I’m looking to get invested in a Canadian group finding greater US success, I’d rather see the last “Crash…” band, New Pornographers, reach those heights. Squeezed between those two Canadian bands is Dave Mathews.

For the last two songs on my walk list, I got two versions of songs with the single-word title “Crash” from bands in my kids’ wheelhouses. I think of the two, I prefer the Breaking Benjamin entry.

3.00 miles on the elliptical machine plus upper-arm weight work at the gym

  • Crawl Back (Under My Stone) [live]–Richard Thompson
  • Crawl Back (Under My Stone)–Richard Thompson
  • Crawling to the USA–Elvis Costello
  • Crawling to the USA–Elvis Costello
  • Crazy–Barenaked Ladies
  • Crazy–Gnarls Barkley
  • Crazy–Gnarls Barkley
  • Crazy–Icehouse
  • Crazy ‘Midnight Mix’–Icehouse
  • Crazy 12″ Mix–Icehouse
  • Crazy Amanda Bunkface–Sum 41
  • Crazy As Me–Alison Krause
  • Crazy Dream–Los Lonely Boys

Not a ton of variety on today’s gym list, as the first 10 tracks are actually five songs with repeats thanks to live versions, duplicates, and dance remixes. When my kids were young, my wife was always looking to expose them to good music, rather than Raffi and other kids-only artists,a plan I heartily supported. While my attempts were artists that could serve as intermediate steps between kids’ and adult music (like They Might Be Giants before they released kids’ albums), my wife just played artists regardless of their positioning. One album that the kids heard often in the car and at home was Richard Thompson’s Mock Tudor. From that, my son loved “Crawl Back” most of all, and would even sing along in the back of the vehicle. It seems like we own multiple copies of every Elvis Costello song thanks to deluxe double remastered CDs that contain early versions, sound checks, live presentations, and more. As I always mention, this plethora of Elvis songs is more of a boon to my wife more than me.

Now, it’s time to get “Crazy…” We own several songs that start with “Crazy…” and the word will also begin my next list, but things begin with three different artists hitting the one-word song title. Ironically, I was unaware that Barenaked Ladies had a song with that title, even though I’m a big fan of the group. It may just be that I haven’t paid enough attention to their first album, Gordon. Forgive the tangent, but when my kids get fortune cookies at Chinese restaurants, they have a little silly tradition (no, not adding “…in bed” to the end of their fortunes). When they get a Chinese word on the back of the fortune, they say you have to “say the word while acting the word out”. The reason I bring this up is that my wife is a big fan of the Gnarls Barkley song “Crazy” and when she discovered the song years ago, she was busy working on a freelance editorial project. While working, she would play the song on repeat on iTunes, and the song’s count got up over 200 in less than a week. I’d call that listening to the song while acting it out, wouldn’t you?

The last “Crazy” comes from one of my guilty-pleasure artists and albums, Man of Colors by Icehouse. I do love every original song on the album, but I do feel like the second and third versions of “Crazy” that come at the end of the album, the “Midnight Mix” and the “12” mix” feel like album filler at best. I’m not sure that this song is the type that needs dance mixes and multiple versions, but maybe that’s just crazy talk. Of my last three songs, the one that’s grown on me the most is the Alison Krause number from her Lonely Runs Both Ways album, which is squeezed between Sum 41 and Los Lonely Boys.

 

Back in Business (at least the blog business)

Been a few days since I last updated the blog, as I got sidetracked helping a friend out with a project. But I can’t ignore my public any longer, particularly with my list of songs continuing to backlog. (While I didn’t blog over the weekend, I did get to the gym both days, so the list continues!) So today’ list will blow through the week (or at least the Monday through Thursday portion) of 7/30 through 8/2, which featured a pair ofT gym visits sandwiched around hosting Indiana in-laws. The visit was great–everyone had a relaxed, fun time, so I didn’t mind missing the workouts.

Monday, July 30, 2012

3.10 miles at the gym on the elliptical machine:

  • Cotton Alley–10,000 Maniacs
  • Cough Syrup–Young the Giant
  • Could I’ve Been So Blind–The Black Crowes
  • Could It Be Magic–Barry Manilow
  • Could You Be Love–Bob Marley
  • Couldn’t Call It Unexpected No. 4–Elvis Costello
  • Couldn’t Call It Unexpected No. 4 [live]–Elvis Costello
  • Counterfeit Fake–They Might Be Giants
  • Countin’ On A Miracle–Bruce Springsteen
  • Counting Airplanes–Train
  • Country Comfort–Elton John

Monday began with a selection from 10,000 Maniacs (sort-of) first album. (I know they released Secrets of the I Ching first, but I tend to ignore that album, and I’d argue they do as well, seeing that they re-recorded three of the songs for inclusion on The Wishing Chair.) Things get a little more recent and trendy with “Cough Syrup”, although I dodged a bullet when I only had to hear the original and not the Glee cover. I then got to hear a song from the debut album of the Black Crowes. I’ll admit that for Black Crowes, one album is more than enough for me. I think I’m supposed to like the Black Crowes more, but they’re a group that a little goes a long way in my musical sentiments. That sentiment is also true for both of the next artists as well, although there aren’t many other reasons to group Manilow and Marly.

My next four songs come from three of the family’s most represented artists, starting with studio and live versions of an Elvis Costello number. I am trying to wrap my mind around the title of the They Might Be Giants’ song–is a “Counterfeit Fake” the genuine article? The only thing that might have improved the title was adding the Elvis Costello flair and calling it “Couterfeit Fake No. 4”. My trio of familiarity ends with the Boss and a song from “The Rising”. That’s not to say I’m not familiar with Train or Elton John–I just don’t own the same large percentage of their musical catalogue.

Thursday, August 2, 2012

3.33 miles on the elliptical machine plus upper-body weight work at the gym

  • Country Comforts–Rod Stewart
  • Country Darkness–Elvis Costello
  • Country Feedback–R.E.M.
  • Country Girl: Whisky Boot Hill/Down, Down/Country Girl (I Think You’re Pretty)–Crosby, Stills, Nash & Young
  • Cousins–Vampire Weekend
  • The Coventry Carol–Alison Moyet
  • Cover Me–Bruce Springsteen
  • Coward Of The County–Kenny Rogers
  • Cowboy Killers–The Wonder Years
  • Cowboy Romance–Natalie Merchant
  • Cowboy Take Me Away–Dixie Chicks
  • Cowboy Take Me Away [live]–Dixie Chicks
  • Cowtown–They Might Be Giants
  • Coyotes–Jason Mraz
  • Crab–Weezer
  • Crackin’ Up–Paul McCartney
  • Crackity Jones–Pixies
  • Cracklin’ Rosie–Neil Diamond
  • Crank It Up–WWE

I closed the previous section talking about owning a percentage of an established act’s collected works, and my Rod Stewart ownership calculation would be tiny–1 over however many albums he’s released. And again, one is more than enough for me–Rod’s a .0001 on the Simple Minds Scale, particularly once he decided to subject the aural population to his interpretations of “The Great American Songbook”.  I think I’d be far more impressed with him delivering the Great Scottish Songbook. I also made particular mention of three artists in the last section that are significant parts of our library, and as if they wanted to further the point, each shows up again on this list, starting with Elvis Costello. The Bruce and TMBG songs that follow are more familiar to me, as the Springsteen song comes from the first album of his I ever purchased (Born in the USA) and the They Might Be Giants’ number is from their second album, Lincoln.

After an R.E.M. song, I get a visit from CSNY and the appearance of  one of the 70’s more pretentious musical trends–the long songs with multiple parts (popularized by Yes, but then taken to new heights by Rush with songs having multiple parts that straddled different albums). You don’t see that as much these days. That’s not to say artists aren’t self important–they just express it in other manners (Thanks social media!). As I’ve mentioned before, but each Vampire Weekend song I hear mixes my enjoyment of their music and my anticipation of their upcoming third album, which I’ve heard is releasing before the end of the year. The end of the year would have been a better time to hear the Alison Moyet song, but when you listen to an entire list alphabetically, Christmas comes year round!

Do you ever think about memory–specifically, what stays in your mind and what you’ve forgotten? I ask because when I was a child, we didn’t listen to a lot of music, but one album (actually, 8-track to be precise) that received heavy rotation  was my mother’s Kenny Rogers album (one of his many greatest hits collection). Now I’m not the biggest fan of Rogers, but his story songs were easy to follow to be sure. Now, here it is, decades later and when a song like “Coward of the County” comes up (one I can honestly say that I haven’t heard for years), and I can sing along with it, remembering all the lyrics. I just have to wonder what important dates, facts, or issues have been pushed out of my brain so that “Promise me son, not to do the things I’ve done” can stick around. Moving on, it seems fitting that a Kenny Rogers song would serve as prologue for my “Cowboy…” section of songs, although truth be told, if I’m thinking about artists doing songs about the profession, the Wonder Years and Natalie Merchant do not come to top of mind. Dixie Chicks? They make more sense.

Not a lot to add about the Jason Mraz and Weezer that follow, and the Paul McCartney number almost shouldn’t count as a song–it’s more of a 45 second sorbet from his live album. Now getting a Pixies song is always a treat, particularly when I close the list with Neil Diamond and WWE.

 

Who wants apple spit in their face?

The two days covered today represent the 10th and 11th days of consecutive gym visits–one of my best runs in months. And I feel fine with the reason the streak ended, as my wife, kids, and I got to visit my parents, sister, and nephew on Sunday.

Friday, July 27, 2012

3.00 miles on the elliptical machine at the gym

  • Contact–Rent
  • Contagious–Avril Lavigne
  • Continental Drift–The Rolling Stones
  • The Continuing Story of Bungalow Bill–The Beatles
  • Contrecoup–They Might Be Giants
  • Control–Metro Station
  • Control–Glee
  • Controversy–Prince
  • Conversation 16–The National
  • Cook’s County–The Who
  • Cooksferry Queen [live]–Richard Thompson
  • Cooksferry Queen–Richard Thompson
  • Cooksferry Queen–Richard Thompson
  • Cool–WWE

If you ask me the best way to start a workout playlist, “Broadway showtune” is not high on my list of options. Now my youngest daughter would strongly disagree with me, particularly when said track is from Rent, one of her favorite musicals (and she’s into them enough that she could do a top 10, and really have to consider all the candidates). I don’t know much about “Contagious” but I should give it more of a chance because I do find myself enjoying most Avril Lavigne I hear. That is also true of Rolling Stones content, including today’s song from their Steel Wheels album. Now while all Beatles songs, particularly their later works, are awesome, some are less useful as workout numbers. Luckily, “The Continuing Adventures of Bungalow Bill” works well in that capacity.

Once again, They Might Be Giants has me looking up information on a song title of theirs. Apparently “Contrecoup” is a head injury, specifically an injury that occurs on the opposite side of the injury’s impact. What a great group–one that entertains and educates! Two different “Control” songs followed with Metro Station giving their own version of the song, while the cast of Glee covered the Janet Jackson hit. I then got to hear a trio of artists I love, starting with an early Prince hit, “Controversy”, which is now more that 30 years old, which I consider the true controversy. Next up was one of my favorite more recent acts, The National, with a track from their most recent album. This trio closed with the Who, which is always welcome. Speaking of trios, I got a trio of “Cooksferry Queen”s from Richard Thompson, with one live and two studio versions. The song was originally on Mock Tudor, a favorite album of the family. When he was young, my son loved “Crawl Back” in particular, which I’ll be visiting soon enough. This list closes with one of the most baffling WWE theme songs ever, that belonging to Carlito. The song opens with Carlito speaking and he states “I spit in the face of people who don’t want to be cool.” Here’s my question. Who doesn’t want to be cool? Particularly if the consequences are getting chucks of pre-chewed apple spat at you? I never got that at all. Wouldn’t it have been better and made more sense if he just said “I spit in the face of people who are not cool” or something like that?

Saturday, July 28, 2012

3.15 miles on the elliptical machine at the gym

  • Cool, Cocky Bad–WWE
  • Cool Dry Place–Traveling Wilburys
  • Cool For Cats–Squeeze
  • Cool Front–Digable Planets mashup with The Who
  • Cool Jerk–The Go-Gos
  • Cool Places–Sparks & Jane Wiedlin
  • Cool the Engine–Boston
  • Cool Water–Talking Heads
  • Cool, Cool River–Paul Simon
  • Cooties–Hairspray
  • Copacabana (At the Copa)–Barry Manilow
  • Corporate Ministry–WWE
  • Corrina, Corrina–Bob Dylan
  • Corrina, Corrina–Pete Townshend
  • Cosmic Love–Florence & The Machine
  • Cosmic Thing–The B-52’s

It’s another paired bracket as I get another WWE theme to open this list after one closed the last. It’s actually the first of two WWE theme songs I heard today, with the Honky Tonk Man’s Elvis tribute coming first and the mashup of Vince McMahon and Undertaker themes coming later in the list. Speaking of mashups, a message-board friend created (or just shared, I’m not entirely sure) “Cool Front”, which mashes Digable Planet’s “Rebirth of Slick (Cool Like Dat)” with the Who’s “Eminence Front” (easily one of my top 10 Who songs).  The combo is outstanding. The two songs before the mashup were great as well, as I will never tire of the Traveling Wilburys or Squeeze.

I love the Go-Go’s (saw them in concert my senior year in college), but “Cool Jerk” is my least favorite song by the group. If I want to hear a “Cool…” song involving a Go-Go, I’d much prefer the next track “Cool Places” with Jane Wiedlin of the group teaming up with Sparks. I loved the song when it first came out (the only year of junior high/high school that I had MTV), and was happy that I was able to add the single to my collection thanks to a compilation album. “Cool the Engines” is probably one of the biggest “no duh” songs for the group Boston as it seems like all their album covers were built around giant guitar-shaped spaceships. Coming back to Earth, the Talking Heads sang of “Cool Water”, and if you were looking for a location for such a thing, Paul Simon would correctly suggest a “Cool, Cool River”.

After things were cool for such a long time, I guess the antidote would be some “Cooties”, which arrived courtesy of the Hairspray soundtrack. I think my wife would argue that the list continued moving in a non-cool direction with “Copacabana” (she is most assuredly not a Fan-a-low), but I do find the song fun and will sing along whenever it comes on. If my singing has the chance to embarrass my wife and kids, well it’s always nice to get a bonus like that, right? While most of the Chimes of Freedom cover artists are newer acts, some of the album’s tributes come from stars as revered and longstanding as Dylan himself, and on “Corrina, Corrina”, Pete Townsend provides one of the best of those pairings. I may have to borrow Boston’s guitar rocket for the last two songs, as things get a bit “Cosmic…” with a Florence & The Machine number and the title track from the B-52’s album.

Charlize Theron introduces Teenage Fanclub to me

It’s been awhile since I’ve had the blogging discipline to post entries on two consecutive days, but that’s today’s goals. Now to ensure that I do it, I may only write about one day’s list, but with a list as varied and awesome as the mix I got on 7/26, I think it’s worthwhile. By the way, on a real-time front, I am excited to report that I’m nearing a number of exciting milestones in both the song list and the blog. I’ve kept pushing my exercise routines, so I am less than a dozen songs from completing ‘C’ and moving on to the fourth letter in the alphabet, which is always an exciting time–only 25 letter switches after all. I’m also closing in on 2,000 songs. I will have to calculate my pace to see how I’m doing, but I think things are moving well. On the blog front, I’m within 20 views of quadruple digits–that’s right 1,000 views! I still need to consider new and exciting ways to promote the blog, but I’m happy with the direction over the first 85 posts.

Thursday, July 26, 2012

3.25 miles on the elliptical machine at the gym

  • Commotion–Creedence Clearwater Revival
  • Complicated–Avril Lavigne
  • Complicated Girl–The Bangles
  • Complicated Shadows–Elvis Costello
  • Complicated Shadows–Elvis Costello
  • A Complicated Song–“Weird Al” Yankovic
  • Computer Assisted Design–They Might Be Giants
  • The Concept–Teenage Fanclub
  • Concrete and Clay–Unit 4 + 2
  • Conga–Miami Sound Machine
  • Congratulations–Traveling Wilburys
  • Conquest–The White Stripes
  • The Consequences of Falling–k.d. lang
  • Conspiracy–Paramore
  • Constant Craving–Glee Cast
  • Constructive Summer–The Hold Steady

This was one of my favorite exercise lists to date–there was something was everyone! (Well, except for people that don’t like music at all. In that case, I’m fairly certain that nothing would satisfy you.) CCR is always an excellent opener to any music list, including exercise-based selections. I’m trying to remember whether “Complicated” or “Sk8ter Boi” was our first exposure to Ms. Lavigne. My oldest daughter doesn’t remember either, but she did remind me that she heard a song in Circuit City (RIP), really liked it, and I ended up buying her the CD–her first music CD ever. Luckily, she’s not so connected to Avril that she can’t see the humor in the parody song “A Complicated Song” from Weird Al that shows up later in the list, and I, of course, love the number despite it opening with a stanza devoted to constipation.

I think Everything by the Bangles is a great and overlooked album and “Complicated Girl” is an excellent track from the release. As I’ve mentioned on several occasions, my wife is the Elvis Costello fan, but that doesn’t stop me from enjoying his work as well. I mostly know his more famous tracks, but “Complicated Shadows” is a fun number as well. Back when I was doing computer books in the 90s for Sams, I was always baffled by the lack of pop songs about CAD (Computer Aided Design). Thankfully, They Might Be Giants stepped in and corrected this oversight on their Here Comes Science album. Luckily, you don’t need a dongle to enjoy the album (about 3 people are going to get that reference!).

We all have pop culture blind spots and clearly Teenage Fanclub sat in one of mine. It took seeing Young Adult to draw my attention to “The Concept”. I was highly impressed with both, and immediately purchased the song on iTunes. If you haven’t seen the film, get it. Charlize Theron’s work in the movie is outstanding, and I thought both she and Patton Oswalt deserved Oscar nominations for their work in the film. (I will warn you that there’s almost nothing redeeming about the story’s central character, and I know that some can find that off-putting, but it really works for me.) My wife did not enjoy the film as much as I did, but the next song, “Concrete and Clay”, comes from the soundtrack of one of her favorite films of all time, Rushmore.

The next two songs are 80s releases, with one being a bit pop hit (“Conga”) and the other an album track from the first Traveling Wilburys album (by the way, I hate to head things off onto a grammar and syntax tangent, but shouldn’t the plural form of “Wilbury” be “Wilburies”?). “Congratulations” was one of the Dylan-vocal driven songs from Volume 1. Things jumped ahead a few decades for one of my favorite White Stripes songs, “Conquest”. With two songs remaining, it’s a little ironic that I get one k.d. lang song and “Constant Craving” (lang’s biggest hit), but they are not the same song. Instead, I got the opening track from Invincible Summer and the Glee version of “Constant Craving”, which means I need to purchase the original version of the song. The other last two songs are a Paramore number, and my favorite Hold Steady song, “Constructive Summer”.

 

 

Would the real Matt Nathanson please stand up?

This week continues an excellent run of consecutive gym appearances. Lost in this streak is walks to commemorate Red Sox victories–as of this writing, I think I am 6-7 victory marches in the hole. I plan to rectify that oversight next week. Even without my promised bonus walks I am extremely happy with my level of exercise these last few weeks, and I’m back in a place where if I don’t get out and get moving, I’m angry with myself–quite the 180 from the usual sluggish “take an act of Congress to get me moving” Dean. Let’s cover three days of exercise lists in this entry:

Monday, July 23, 2012

3.20 miles on the elliptical machine at the gym

  • Colossal–Wolfmother
  • Coma–Guns N’ Roses
  • Come & Talk to Met (Radio Edit)–Jodeci
  • Come and Get Me–Timbaland featuring Tony Yayo & 50 Cent
  • Come Around (featuring Timbaland)–M.I.A.
  • Come As You Are–Nirvana
  • Come As You Are [live]–Nirvana
  • Come Back–Foo Fighters
  • Come Back Around–Feeder
  • Come Back Baby–Elton John
  • Come Back to Me–Janet Jackson
  • Come Crash–A.C. Newman

Wolfmother was another band that I knew nothing about until I heard their “Joke & The Thief” track in the Rock Band series. They’re still not a group I’d choose to listen to on most days, but their metal tracks do inspire me while I’m trying to exercise. That’s also true about the music of Guns N’ Roses, a band I do occasionally choose to listen to (and plan on putting on when I am finished with this entry). The Jodeci song is from one of my many compilation albums. If my list were like the Oscars, Timbaland would be a double nominee with Lead Performer on “Come and Get Me” and Supporting Male on the M.I.A. song “Come Around”. I obviously am a fan of Timbaland, but I enjoy the second song more because of M.I.A.

There are worse things in life than getting a double shot of Nirvana, particularly a studio/live combo of anything off Nevermind and Live in Reading. If you haven’t heard the latter (I’m kind of assuming that everyone has at least listened to, if not a proud owner of, the former), do yourself a favor and grab a copy. Always a bit fitting when Dave Grohl’s band the Foo Fighters comes after Nirvana. “Come Back Around” is yet another song (and by extension, band) to be introduced to me via soundtrack, specifically, the American Wedding compilation. I’m not sure if it puts me in the mood to own more Feeder–any Feeder fans out there willing to argue the group’s cause? As for Elton John, I’d argue I have the perfect amount of his music–a 4-disc boxed set I purchased while in college.

Monday’s list closed with a Janet Jackson number from Rhythm Nation 1814. (It was amazing that the album managed to produce *7* top 10 hits, including “Come Back to Me”), and a track from A.C. Newman, who I love, but would guess will not produce 7 top 10 hits in his entire career, even if you include the New Pornographers (which is a shame).

Tuesday, July 24, 2012

3.10 miles on the elliptical at the gym

  • Come Dancing–The Kinks
  • Come Dancing [live]–The Kinks
  • Come Go With Me–The Beach Boys
  • Come Monday–Jimmy Buffett
  • Come On (Let’s Go Tonight)–Bruce Springsteen
  • Come On Eileen–Dexy’s Midnight Runners
  • Come On Eileen–Dexy’s Midnight Runners
  • Come On Get Higher–Matt Nathanson
  • Come On Home–Mary Chapin Carpenter
  • Come On, Come In–Velvet Revolver
  • Come Out and Play (Keep ‘Em Separated)–The Offspring
  • Come Sail Away–Styx
  • Come So Far (Got So Far to Go)–Hairspray Cast
  • Come Together–The Beatles

The opening two tracks for Tuesday’s exercise are my studio and live versions of the Kink’s “Come Dancing”, the song that first got me into the group, and seeing how awesome their earlier work is, makes that song an important and beloved touchstone in my musical education. Plus it’s a great story song that is fun to sing along with whenever it plays. The next two songs are appropriate summer numbers from the Beach Boys and Jimmy Buffett. The Springsteen number is a previously unreleased track from his Darkness on the Edge of Town sessions, which leads into my first-ever “favorite song” Dexy’s Midnight Runners only US hit, “Come on Eileen”. I didn’t really listen to music until I was 14, when I started listening to popular radio. “Come on Eileen” started rising up the charts, and it was my first go-to radio song.

So I’m listening to “Come On Get Higher”, a song my daughter purchased on iTunes a few years back and I find I’m really enjoying the song, but I don’t know the name of the artist. When I look him up, I see that he’s also the singer of “Laid” from the third American Pie movie, American Reunion. I couldn’t believe the two songs came from the same artist (although it made a bit more sense when I learned that “Laid” was originally a James song and things made a bit more sense. We actually have a third Matt Nathanson song, a cover of a Muppets’ number “I Hope that Something Better Comes Along” from The Green Album. I have to hand it to Nathanson, able to create such different tunes and styles is quite a feat. (To be honest, the three songs I own could be the outliers–for all I know, all his other songs may sound the same,)

The hits keep “Coming…” (Ha! Get it? Anyone? Is this thing on?) with Mary Chapin Carpenter and Velvet Revolver, which I’m pretty sure was a common double bill for summer concerts tours.  Next up was a favorite of my kids (and admittedly, me as well), The Offspring and a classic 80s band, Styx. My youngest daughter added the Hairspray number to the collection, but the comparison to the next song, “Come Together”, made the Fab Four’s number even sweeter.

Wednesday, July 25, 2012

3.25 miles on the elliptical machine at the gym

  • Come Together–The Beatles
  • Come Undone–Duran Duran
  • Come Undone–Duran Duran
  • The Comedians–Elvis Costello
  • Comfortably Numb -[live]–Pink Floyd
  • Coming Around Again/Itsy Bitsy Spider [live]–Carly Simon
  • Coming Back to You–Martin Gore
  • Coming Back to You–Trisha Yearwood
  • Coming Clean–Green Day
  • Coming Home for Christmas–Kristy Starling
  • Coming Up–Paul McCartney

Just as Tuesday’s list ended with an Abbey Road classic, Wednesday’s set began with the same song, this one from the compilation album. It’s a double double as two copies of the Duran Duran song “Come Undone” comes next, followed by an Elvis Costello number. Hearing my one copy of “Comfortably Numb” by Pink Floyd reminds me of one of the major holes in my record collection–we do not own The Wall. (it’s tough to admit, so I just need to think what Jack Black’s character Barry said in High Fidelity to the shopper that didn’t own a copy of Blonde on Blonde–it’s going to be ok). We will have to rectify the Floyd oversight at some point, however. After Pink Floyd live, I got another live number, this time from Carly Simon, a mashup of her hit “Coming Around Again” and the children’s song “Itsy Bitsy Spider”.

We own two covers of Leonard Cohen’s “Coming Back to You”, which led into Green Day and a nondescript Christmas carol. Things closed with a third live song in this list, one by Paul McCartney. I actually don’t think I’ve ever heard the studio version of “Coming Up”, but that’s not an oversight I need to correct as quickly as The Wall.