1 New Book, 8 Is Not Enough, and 10 More Songs! (part 5 of 10)

So, if you follow me on Facebook or Instagram or Twitter you might know that I have a new book that came out Tuesday. If you aren’t sick of saying so, then perhaps I am not doing my job guerrilla marketing enough. So I may as well add a blog post about the book before I get to the 5th group of 10 songs in my top 100 list.

The Book: WWE 100 Greatest Matches. I got to be part of some amazing books during my seven years working at WWE. (Hell, I got to be part of a few amazing wrestling books before my time at WWE. The three books I did at Sports Publishing LLC probably helped me get the WWE gig in the first place.) While I did write one book while working at corporate (10 Count Trivia) and contributed to several others, this is the first book I wrote solo. We solicited authors, wwe.com contributors, Superstars, and more to get a vast range of opinions of the greatest matches in WWE history. I built the list of 100 using these lists as a guide. For each match, I then rewatched them a few times, and wrote about the leadup to the match, the match action, and then the aftermath. Each match is a two-page spread accompanied by several awesome photographs from the WWE library. I also was super lucky, because Ricky “The Dragon” Steamboat, who’s match with Macho Man Randy Savage for the Intercontinental Championship at WrestleMania III was a no-brainer addition to the list, wrote the introduction, giving the book’s authoring team some much needed star power.

Are you already interested? The book should be at your local Barnes & Noble in the sports section, or you can order it from Amazon Here!

Cover

The reviews: Still not convinced that this should top your summer reading list? How about some awesome reviews that really stoked my ego at a time that my self-esteem could use the boost. Here’s one and here’s another! The real kicker is that WWE even made a video promo for the book. If you ask me honestly, the WWE Encyclopedia is still the project I am most proud of working on, but this is pretty darn close.

The real heroes: Other than my involvement, what is the primary similarity between my new book and the Encyclopedia? The editors, designers, production team of DK/Brady/Prima. I’ve worked in the publishing industry for decades, so I already knew of the magic Rube Goldberg  machine that took text to finished product, but it’s even more stunning when it’s my crappy words that get turned into a spectacular visual product.

I am sure I won’t continue to bring up this book–hopefully, I will soon have another project to announce and I can move on. Worst case scenario, it’s only 3 to 300 more blogs tied to the book. But let’s make this one a best seller in the meantime by buying this book for dads, moms, brothers, sisters, your letter carrier, Seth Green, Bill Simmons, that lady who lives down the street–it’s the perfect gift for anyone.

Back to my music list and the reason for the music list in the first place–listening while exercising. My previous blog, Renewing My Fitbit Vows (part 4 of 10), mentioned that I was back to hitting my 11,000 step, 5.5 mile goal–with 5 straight days. I am now on an 8-day streak, although upping it to 9 will be a challenge, as we are driving to North Carolina tomorrow for a First Communion weekend.

  • Falling in Love (Uh-Oh)–Miami Sound Machine
  • No Myth–Michael Penn
  • Heroes–David Bowie
  • Hip Hop Is Dead–Nas (featuring Will.I.Am)
  • Rapper’s Delight–Sugarhill Gang
  • And She Was–Talking Heads
  • Let’s Go Crazy–Prince
  • I Won’t Say (I’m in Love)–Hercules Soundtrack
  • Crazy For You–Madonna
  • Us and Them–Pink Floyd

I always thought a “Guilty Pleasure” album featuring acclaimed music acts doing covers of  songs you wouldn’t expect them to perform would be a great concept album. If I was such an artist,  I have no doubt that Miami Sound’s Machine’s “Falling in Love (Uh-Oh)” would be my contribution to the project. I’ve always had a soft spot for soft rock. I love Air Supply for example, but I did not put any of their songs on my 100. There is another song that represents this side of my personality to come, but there is no guiltier pleasure than this Gloria Estefan number. The other candidate from this batch is the romantic song from the animated movie Hercules. This song was already on my list, but then my daughter made me love it even more by using it for a college film project.

For a long time, Michael Penn was the ultimate one-hit wonder as I absolutely adored “No Myth” from the first time I heard it. “What if I was Romeo in black jeans?” is a question I can hear sung any time and it makes me smile. The driving chords from the acoustic guitar are also so distinctive. But I had not heard another song from Penn, the brother of actors Sean and Chris Penn, since (by the way, that seems like a brutally talented trio of siblings–what are my kids going to do to match that? No pressure!) But 12 years later, Penn performed a duet with the incredible Aimee Mann (his wife and the former lead singer of ‘Til Tuesday) of the Beatles song “Two of Us” for the I Am Sam soundtrack. (I cannot recommend the movie at all, but the soundtrack is definately worth owning.) That’s a song  that just missed this list.

The two music giants that we lost this year are represented on this group of ten. I had already talked in some detail about Prince in the blog entry Royal Discography but David Bowie was another crushing loss in 2016. Like Prince, I do not ever remember a time in my life when Bowie wasn’t cool. He was making his “comeback” so to speak in 1983 when I first started really paying attention to music.  His three hits from the Let’s Dance album were mainstays on American Top 40 that year, and they are such incredible songs to sing along with anytime they play on the radio. Loving those songs inspired me to work backwards on his catalog, and I was so delighted to discover his earlier work. Again, any number of songs could make a favorites list, but “Heroes” is theone that makes the cut for me.

I am glad that the premise of the Nas song that makes my list, “Hip Hop is Dead,” is decidedly not true. Not only is this a song that I love hearing any time it comes up, but often I have to tilt the randomness of my ipod by specifically selecting the song to play. The sampling of “In-A-Gadda-Da-Vida” is inspired and the wordplay on the song about the commercialization of the genre is fantastic. I can’t say I am a hip-hop/rap expert, but I have loved having it in my life back to the days of “Rapper’s Delight.” I remember being obsessed with that song in 1980. I was in fifth grade and I would constantly rap the lyrics anywhere and everywhere. I have a lasting memory of (I thought) quietly doing them at my school desk and the girl sitting in front of me turning around and hissing the request that I please shut up.

My favorite band for years was the Talking Heads. They were my first real break from Top 40 music, even if “Burning Down the House” was a top ten hit. Seeing the concert movie Stop Making Sense as well as listening to “And She Was” and the rest of the Little Creatures album did it for me. Not seeing them in concert was one of my great musical regrets. I am not proud to finally admit that the only reason I started to listening to them in the first place was to impress a woman. I was a bus boy in high school and Danielle, two years older than me, was a big fan of the band. I wanted to impress her, so I started listening to their music to have something to discuss. While my initial reasons were not pure, I loved what I heard and they remain a favorite of mine. In fact, another song will be coming as well as a song featuring David Byrne.

The first of two Madonna songs to make my list was the absolute greatest slow dance songs from my high school years. We used to have dances in our church basement, and my friend Aaron and I would DJ them (this is not to say we were DJs in the way people DJ now–we just played one song after another and would come up with idiotic prizes for dance contests–thank god cameras were not so ubiquitous back then–I would not liked to have seen my moves preserved on  YouTube for the rest of my life. But “Crazy for You” was an excellent tune to slow dance to if you could convince a girl to do so. Looking back, it is amazing I ever got anyone to do so. I was a dork back then, not the dashing and suave hero I am now.

Finally, my love of pop music, American Top 40 (or more specifically Billboard  magazine charts), numbers, and records intersected with the amazing fact that Dark Side of the Moon by Pink Floyd spent more than a decade on the Top 200 album charts. Don’t get me wrong–like all white American middle schoolers, I eventually got into Pink Floyd and love that album, as well as the song “Us and Them” in particular. But that is just an amazing number–more than 700 weeks and 15 years on the chart. I’d settle for 700 readers or 15 straight Fitbit goal days in a row.

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My senior moment times two

Well, in the “I feel really old” department, these two gym visits covered today occurred on the last day of summer vacation for my kids and their first day of school (my forced vacation continues unabated, but I do have some hopeful prospects cooking). For my twins, they are starting their senior year in high school, but to make this about me and not them, it means I have two children that are less than a year from completing their high-school education. That of course means figuring out where they’re going next in terms of college and career. It’s strange to think that at this time next year, our household will be down to three. It’s also another reason to get healthy–the desire to see where their journey takes them next.

Tuesday, August 28, 2012

3.29 miles on the elliptical machine at the gym

  • December–Collective Soul
  • December–Norah Jones
  • Decent Days And Nights–The Futureheads
  • Deciever–Disturbed
  • Deck the Rooftop–Glee
  • Deck the Stills–Barenaked Ladies
  • Decode–Paramore
  • Dedicated To The One I Love–The Mamas and The Papas
  • Deep–Pearl Jam
  • Deep & Wide & Tall–Aztec Camera
  • Deep Blue Sea–Grizzly Bear
  • Deep Dark Truthful Mirror–Elvis Costello
  • Deep Dark Truthful Mirror [unplugged]–Elvis Costello
  • Deeper And Deeper–The Fixx
  • Deeper And Deeper–Madonna

The first two songs are two takes on the last month of the year, which will be extra significant this year if those Mayans were right. I don’t know how much stock I’d put into a society that you could probably enrapture with an Etch-a-Sketch or Silly Putty. The Collective Soul number is one of their normal songs, while the Norah Jones track feels like a pseudo-holiday number. It was also a great bargain, one of the free songs of the week on iTunes. The Futureheads’ song was part of one of the OC soundtracks, which as I’ve mentioned before, really helped to broaden my musical spectrum at a time I wasn’t listening to radio (which was inexcusable as I was living in Champaign, Illinois, so I’m sure there had to be some good college stations at the time). After the  Disturbed track, I went from Jones’ kind-0f-holiday music to two actual numbers, although the Glee one is the more earnest of the two, with Barenaked Ladies paying winter tribute to Crosby, Stills, Nash, and Young.

“Decode” is a track from the soundtrack to Twilight. Back when the movie came out, it felt like both the film series and the artist performing the number (Paramore) were pop-culture stalwarts my oldest daughter would stick with, and it turned out I was half right. She is still a fan of Paramore, but has seemed to lose interest in the Twilight saga  (and that is a trade-off I will take any day of the week). Things went rock old school next with a Mamas & the Papas tune, and then grunge old-school with Pearl Jam. The Aztec Camera song is a deep album cut (at least as deep as a cut on a greatest hits album can be).

I think all the indy rock band fans tend to love Grizzly Bear, so I probably should give them a deeper listen. As it currently stands, this track from the Dark Was The Night is one of only two songs we own by the band, with the other, a duet with Feist, also on the same album. The Elvis tune that followed is one I remember well pre-marriage as I purchased Spike while in college. Two acts that launched in the 80’s complete the list with two distinct takes on the title “Deeper and Deeper”, although neither is the original studio track–the Fixx version is a live recording and Madonna’s is a dance remix on my MTV Party to Go CD.

Wednesday, August 29, 2012

3.25 miles on the elliptical machine at the gym

  • Deeper Understanding–Kate Bush
  • Deez Nuuuts–Dr. Dre
  • Defenders of the Flag–Bruce Hornsby & The Range
  • Defy You–The Offspring
  • Defying Gravity–Wicked Cast
  • Defying Gravity–Glee
  • Deja Vu–Crosby, Stills, Nash & Young
  • Deja Vu–Crosby, Stills, Nash & Young
  • Deja Va (All Over Again)–John Fogerty
  • Delirious–Prince
  • Deliver Me–Tom Petty & The Heartbreakers
  • Deliver Us–Elvis Costello; Brodsky Quartet
  • The Delivery Man–Elvis Costello
  • Demolition Man–The Police

Crazy fans of the world rejoice! Kate Bush is back (on my list, not with a new album or anything–sorry if I got your hopes up there). I don’t want to get into a celebrity blogger/rapper feud with Dr. Dre, but he really should have proofread his song list on The Chronic–“Deez” is not a word, and the spelling of “Nuts” is off by two additional ‘u’ ‘s (one I could get a chalk up to a simple typo, but the double is a little hard to take). I got into Bruce Hornsby & The Range thanks to their The Way It Is album and single (although I ironically never purchased the first album, I started with the Scenes From The Southside album).  I get a trio of “Defy..” songs, starting with an Offspring number from their greatest hits and two takes on the Wicked signature song Defying Gravity, which my youngest daughter recently ranked as one of her top five all-time songs.

If you have to hear a song two times in a row, “Deja Vu” is an appropriate title for such a pairing, right? Of course, you don’t get the feeling when you hear the third song titled “Deja Vu” when Fogerty’s song is a completely different number with the same name (although they do use a parenthetical to better differentiate). “Delirious” is a great Prince single from 1999 that doesn’t get its deserved credit, as the title track and “Little Red Corvette” have had a longer lasting impact. Three solid songs out of the final four close the list, with a Tom Petty number from Long After Dark, an experimental Elvis Costello instrumental interlude before his “Delivery Man” number and then a great old Police track.

 

1111–Make a Wish

For my kids, any time they see 11:11 on a digital clock face, they say “11:11–make a wish!” When setting up my post for today, I noticed that I’ve now had 1,111 total page views, so I decided to make some wishes concerning this blog. I don’t believe I can share the specifics of the wishes if I want them to come true, but with the wishes topic being the blog, it’s probably pretty easy to guess their general direction. (And let’s just say I’d like to be making the 11,111 views wish sooner than later).

I have finally decided to catch back up, so this entry is going to be for the last several weeks, as well as 5 Red Sox victories (which will not catch me up with them, but will get me closer seeing that they’ve kindly decided to win only one game in the last week). There will be less total commentary, but you will see that I’m now over 2,000 songs and have crossed into the ‘D’ entries. (I apologize for hitting so many songs at once, but I figure it’s the only way to get back on track and on time, particularly with how little blogging I’ve done the last week, first from excitement that my job hunt may have finally ended, and then my sadness that the job hunt has to continue, and there doesn’t seem to be anything imminent).

August 4-23, 2012

Multiple gym visits plus 5 2+ mile walks to commemorate Red Sox victories 44 through 48 of the 2012 season

  • Crazy For You–Madonna
  • Crazy For You–Madonna
  • Crazy In Love–Beyonce
  • Crazy Life–Toad the Wet Sprocket
  • Crazy Little Thing Called Love–Queen
  • Crazy Love, Vol. II–Paul Simon
  • Crazy Man Michael–Fairport Convention
  • Crazy Ones–John Mellencamp
  • Cream–Prince
  • Creatures of Love–Talking Heads
  • The Creep–Lonely Island
  • Creeping Death–Metallica
  • Creeping Out Sara–NOFX
  • Creeque Alley–The Mamas and the Papas
  • Cremation–Lou Reed
  • Crescent Moon–Cowboy Junkies
  • Cressida–Richard Thompson
  • Crime of the Century–Supertramp
  • Crimes of Paris–Elvis Costello
  • Crimes of Paris [Electric Edition]–Elvis Costello
  • Criminal–Disturbed
  • Crimson and Clover–Joan Jett
  • Crocodile Rock–Elton John
  • Cropduster–Pearl Jam
  • Cross Bones Style–Cat Power
  • Cross My Fingers–John Hiatt
  • Cross The Border–Icehouse
  • Cross-Eyed Mary–Jethro Tull
  • Crosseyed And Painless–Talking Heads
  • Crosseyed And Painless–Talking Heads
  • Crosseyed And Painless–Talking Heads
  • Crossroads–Cream
  • Cruella De Vil–Los Lobos
  • Cruella DeVille–The Replacements
  • Cruisin’ in the ATL (Interlude)–Outkast
  • Crumbs From Your Table–U2
  • Crunchy Granola Suite [Live]–Neil Diamond
  • Crush–Glee Cast
  • Crushcrushcrush–Paramore
  • Cry Baby Cry–The Beatles
  • Cry Freedom–Dave Mathews Band
  • Cry If You Want–The Who
  • Cry on My Shoulder–Bonnie Raitt
  • Cry To Me–Solomon Burke
  • Cry, Little Sister (Theme From The Lost Boys)–Gerard McMann
  • Crying–TV on the Radio
  • Crying in the Chapel–Elvis Costello
  • The Crying Scene–Aztec Camera
  • Crying, My Little One…–Natalie Merchant
  • Crystal–Fleetwood Mac
  • Crystal Ball–Styx
  • The Crystal Ship–The Doors
  • Cup of Coffee–Garbage
  • Cupid–Sam Cooke
  • Cupid’s Chokehold/Breakfast in America (Radio Edit)–Gym Class Heroes
  • Curiosity–k.d. lang
  • The Curse–Disturbed
  • Curtain Calls–Old 97’s
  • Cut Flowers–The Smithereens
  • Cut My Hair–The Who
  • Cuts Like a Knife–Bryan Adams
  • The Cutter–Echo & The Bunnymen
  • Cutting Corners–Transit
  • Cuyahoga–R.E.M.
  • Cuyahoga–R.E.M.
  • Cyclone–Baby Bash featuring T-Pain
  • Cyclops Rock–They Might Be Giants
  • D & W–They Might Be Giants
  • D Is for Drums–They Might Be Giants
  • D-7 [Live]–Nirvana
  • D.F. [Interlude]–Outkast
  • Dad’s Gonna Kill Me–Richard Thompson
  • Daddy Can I Turn This?–Elvis Costello
  • Daddy Come Home–Tom Tom Club
  • Daddy Go Down–David Byrne
  • Daddy Learned To Fly–Drive-By Truckers
  • Daddy Needs A Drink–Drive-By Truckers
  • Daffodil Lament–The Cranberries
  • Daft Punk Is Playing At My House–LCD Soundsystem
  • Daktari–10,000 Maniacs
  • Damaged By Love–Tom Petty
  • Damaged Goods–Fastball
  • Damnit–Blink-182
  • Damnit–Blink-182
  • Damnit Janet–The Rocky Horror Picture Show
  • Damn Girl–Justin Timberlake
  • Damn Girl–The All-American Rejects
  • Damn Good Times–They Might Be Giants
  • Damn It, Janet–Glee
  • Damnation’s Cellar–Elvis Costello
  • Damned If I Do Ya (Damned If I Don’t)–All Time Low
  • Dance–Soul II Soul
  • Dance Hall Drug–Boys Like Girls
  • Dance Inside–The All-American Rejects
  • Dance of the Dream Man–Angelo Badalamenti
  • Dance of the Reeds–Baltimore Symphony Orchestra
  • Dance of the Sugar Plum Fairy–Baltimore Symphony Orchestra
  • Dance On Vasoline–David Byrne
  • Dance This Mess Around–The B-52’s
  • Dance With Me–Drew Seeley featuring Belinda
  • Dance With the Devil–Breaking Benjamin
  • Dance, Dance–Fall Out Boy
  • Dance, Dance–Fall Out Boy
  • Dance, Dance [live]–Fall Out Boy
  • Dance, Dance, Dance–The Beach Boys
  • Dance, Dance, Dance–The Steve Miller Band
  • Dancing Bear–The Mamas and The Papas
  • The Dancing Bear–Natalie Merchant
  • Dancing Choose–TV on the Radio
  • Dancing For Rain–Rise Against
  • Dancing in the Dark–Bruce Springsteen
  • Dancing in the Street–Martha Reeves & the Vandellas
  • Dancing Queen–ABBA
  • Dancing Queen–ABBA
  • Dancing Queen–Glee Cast
  • Dancing Through Life–Wicked Cast
  • Dancing With Myself–Billy Idol
  • Dancing With Myself–Glee Cast
  • Dangerous–The Who
  • Dangerous Games–The Byrds
  • Dangerous Politics–WWE
  • The Dangling Conversation–Simon & Garfunkel
  • The Dangling Conversation–Simon & Garfunkel
  • Dani California–The Red Hot Chili Peppers
  • Daniel–Elton John
  • Danny Says–Foo Fighters
  • Dare You To Move–Switchfoot
  • Dark Hand Over My Heart–Richard Thompson
  • The Dark I Know Well–Spring Awakening Cast
  • The Dark Of the Sun–Tom Petty and the Heartbreakers
  • Dark Side (Undertaker)–WWE
  • Dark Sneak Love Action–Tom Tom Club
  • Dark Street–Fastball
  • Dark Was The Night–Kronos Quartet
  • The Darkest Side (Remix)–WWE
  • Darkness–Peter Gabriel
  • Darkness on the Edge of Town–Bruce Springsteen
  • Darkness Surrounding–Avenged Sevenfold
  • Darlin–Avril Lavigne
  • Darlington County–Bruce Springsteen
  • Date To Church–The Replacements
  • Daughter–Pearl Jam
  • Daughters–The Story So Far
  • Daughters of Sorrow–The New Pornographers
  • Dave’s Possessed Hair/It’s What We’re All About–Sum 41
  • David Watts–Ray Davies
  • Dawn of the Dreads–Arrested Development
  • Dawn’s Ballet–Buffy the Vampire Slayer cast
  • Dawn’s Lament–Buffy the Vampire Slayer cast
  • The Day–They Might Be Giants
  • The Day I Tried To Live–Soundgarden
  • A Day in the Life–The Beatles
  • The Day That Love Come To Play–They Might Be Giants
  • The Day The Niggaz Took Over–Dr Dre featuring  RBX, Snoop Dogg, Dat Nigga Daz

Well, that is a *lot* of songs–and there’s no way I’ll be able to provide my usual (arguable) high-quality analysis per number that I usually give, so let’s hit some high (and low) points. “Crazy For You” is one of my favorite Madonna songs for a couple of reasons–first of all, I fully admit to being a sap for the slow numbers, second, it’s part of the soundtrack of a great movie, and finally, it was a big slow-dance song during high-school dances back in the day. I finish up the “Crazy…” section of my list with diverse superstar artists including Beyonce, Queen, John Mellencamp, and Paul Simon. When writing the artist for “Crazy Man Michael”, I initially assumed it was Richard Thompson thanks to the album cover, but it was actually a track from Thompson’s early band Fairport Convention–that’s the nice thing about a boxed set; you get the full spectrum of an artist’s career.

I always have had a bit of a soft spot for the Joan Jett version of “Crimson and Clover” as I won the 45 of the song at a Bar Mitzvah I attended in 8th grade. I wasn’t into music yet (that would come a year later), but I was excited to play it and “Juke Box Hero” but had to wait until I could get to the record store as my mother’s record player did not have an adapter for 45’s. So I think I had to wait until the following weekend until we could get to the Strawberries at the mall to listen to my new music. The John Hiatt song is just one of many from the awesome Perfectly Good Guitar album, a decade-plus staple on my “Desert Island Discs” list. As I have shared before, the Icehouse album Man of Colors is also on that list, which led me to purchase another selection from the group, Great Southern Land, which contains “Cross the Border”, but I did not connect with that album as much.

One effective test of a good song is how much you can tolerate consecutive listens, and three “Crosseyed and Painless” copies worked just fine for me. (Full disclosure, one was from the Stop Making Sense soundtrack, so there was some variety.) But I can honestly proclaim that I would have enjoyed a few more listens. “Cuyahoga” works with two listens for me as well. By the way, I can’t be the only person stunned that the Replacements covered a Disney song, right? I can always count on They Might Be Giants to open a letter with something from their ABCs album, but here the hit double duty, as their “Cyclops Rock” got to close ‘C’ before we started on the ‘D’ songs.  Another funny double-up happened when the Drive-By Truckers hit consecutive “Daddy…” songs as apparently he “…Learned to Fly” and “…Needs a Drink” (hopefully in that order as I assume drunk flying is just as bad as drunk driving.

I’d like to call attention to “Daft Punk Is Playing At My House” by LCD Soundsystem. When it first came out, I was drawn to the song through a pair of unusual methods, with one (OC soundtracks) being a bit more unusual than the other (a video-game soundtrack, specifically an SSX game for my PSP). I will admit loving the song has yet to inspire me to purchase more LCD Soundsystem, although I did enjoy the song and video for their “Drunk Girls” song. I had another one of those grammar choices splitting to versions of a song when the Glee folks broke from the soundtrack of the Rocky Horror Picture Show and turned Damn it into two words. I’d tend to side with the original source material, but I will say that every time I type
“Damnit” as one word, I get the annoying red squiggle underline indicating a misspelling.

It’s always fun to see how quickly a new acquisition shows up in this alphabetical endeavor. My oldest daughter recently purchased the Once More With Feeling soundtrack from Buffy the Vampire Slayer, and two days later I get a pair of “Dawn…” songs from the release. The irony is that she’s my least favorite character from the show. The “Day…” song that must be mentioned is the amazing “Day in the Life” by the Beatles. I’m happy that iTunes has the rights to the Beatles catalogue because otherwise I’d be afraid that Billy Crystal’s joke about kids not knowing who the Beatles are will come true. (It probably does have a kernel of truth these days–after all, the Beatles have not released music in 40+ years and two of them are no longer with us.) The last song and artist was a bit problematic for me. I love the album “The Chronic”, and I of course want to faithfully record the song and artist, but one of the words on each side is a bit problematic to type (I think it’s fairly obvious which word I mean.) But type it I did, but just don’t ask me to say it.

Cherubs, Chess, and Chewing Gum (maybe Cherry flavored!)

Eighth straight day visiting the gym, but for the first time in a week, it was a solo trip, as my kids were both working. As I was working out, I remember thinking, “this is great–I wonder how many consecutive days I can visit the gym?” In literature, that would be foreshadowing. In a character study, that would be hubris. In real life, that would be my car’s alternator conking out the next afternoon and the repair shop not being able to get a new one until Thursday, so we’d go more than 48 hours (including the 4th of July holiday) without a car. So the streak ended the very next day, as it’s hard to get to the gym without a vehicle. Now that’s not to say I didn’t get exercise over the three-day gymless span–Tuesday I walked home from the gym and then walked another mile, Wednesday my wife and I walked to the grocery store to get some needed staples, including milk, and Thursday I walked to pick up the car. Unfortunately, I didn’t listen to music during the walks, so after Monday’s list, the next list came on Friday.

Monday, July 2, 2012

3 miles on the elliptical machine plus upper-arm weight work

  • Cheeseburger in Paradise–Jimmy Buffett
  • Cheetah Sisters–The Cheetah Girls
  • Cheetah Sisters (Barcelona Mix)–The Cheetah Girls
  • Chelsea Hotel–Lloyd Cole
  • Chelsea Hotel No. 2–Leonard Cohen
  • Cherish–Madonna
  • Cherish the Moment–The Cheetah Girls
  • Cherry Bomb–John Mellancamp
  • Cherry Bomb–Joan Jett & The Blackhearts
  • Cherry Lips (Go Baby Go!)–Garbage
  • Cherry Red–John Hiatt
  • Cherry Tree–10,000 Maniacs
  • Cherry, Cherry-Neil Diamond
  • Cherub Rock–Smashing Pumpkins
  • Chess Piece Face–They Might Be Giants
  • Chewing Gum–Elvis Costello

I was never a big Jimmy Buffett fan for the longest time (I’m still not a big fan, but I’ve mellowed enough to occasionally enjoy a track or two from the man), and my parrot-head enmity began in college, where several big Buffett fans treated the rest of our dorm to constant loud playings of the man’s music, with “Cheeseburger in Paradise” being a particular offender. But I can say that I enjoyed hearing that song more than the three Cheetah Girls numbers that were part of today’s mix. “Wait a minute Dean,” you’re probably saying right now. “How can that be true? After all, you saw the Cheetah Girls in concert!” First of all, how did you know that? Second, it was an event for my daughters, who were like 12 and 10 at the time. Finally, it was Cheetah Girls lite, as that Raven Simone wasn’t even with them. (I won the tickets on Optimum Online and took my daughters to the show).

A Leonard Cohen original song and cover followed, and it was a song and its sequel. That let to a Madonna hit, and then two different songs with the title “Cherry Bomb”. I’m far more familiar with the John Mellancamp version and after hearing both, it is still my favorite of the two. We own a Joan Jett greatest hits collection, and I don’t know much of her music besides her big hits, but the Greatest Hits collection is more than enough for me (perhaps .75 on the Simple Minds Scale). The Cherry festival continues with Garbage and John Hiatt, followed by 10,000 Maniacs and Neil Diamond. The 10,000 Maniacs song is the one with the least to do with cherries, it’s one of the group’s many “message” songs, this one about illiteracy. Luckily it doesn’t get lost in a sea of messages, as the previous and following songs are more standard musical fare–love songs. Please don’t think I’m saying those songs are lesser because they don’t have a strong moral. In fact, I may actually prefer those two, particularly the John Hiatt song.

The last three songs on the list deviate from the “Cherry…” theme and instead cover three objects that don’t often get their due in pop songs–cherubs, chess, and chewing gum. The Smashing Pumpkins hit the first topic, and of course when cherubs grow into fully-formed angels, they appear all over pop songs. I do own one song from the original Chess soundtrack, but we’ll get to that later. (Plus Chess records was a label from the early days of rock.) But this They Might Be Giants song has nothing to do with either; it’s just a clever (if unfortunate) way to describe someone’s looks from their first album. My last song comes from Elvis Costello and was from the first album of his that I ever purchased, Spike.

 

6 miles at a blistering pace with a stop for boiled goose

Finally got caught up on Red Sox walks the last two days–my preference is always to walk outside but we’ve had consistent and frustrating rain for most of the beginning of this week, so Tuesday night I was able to get some treadmill time in at the gym before I had to race my daughter home for the third season finale of Glee (you may not have been able to tell she was a big fan if you ignored the clue that we own about 300 songs from the show). Then yesterday finally saw the much-needed break in the rain that allowed some extended outside walking. By the way, no need to call Guinness about the title–it referred to the blister I got from walking too much in a single day. But don’t worry about me–I’ll soldier on, and I’m only needing to walk 2 miles for yesterday’s Red Sox victory.

May 22-23, 2012

6+ miles treadmill/neighborhood walking to commemorate Red Sox victories #19, #20, and #21 of the 2012 season

  • Body to Body–Miami Sound Machine
  • Bogie’s Bonnie Belle–Richard Thompson
  • Bohemian Rhapsody–Queen
  • Bohemian Rhapsody–Glee Cast
  • Boho Dance–Bjork
  • Boll Weevil–The Presidents of the United States
  • Bombay–Timbaland
  • Bombers Bay–Echo & The Bunnymen
  • Bone Broke–The White Stripes
  • Bones–The Killers
  • Bonfire–Childish Gambino
  • Bonny [live]–AC/DC
  • Bonus–Johnny Socko
  • Bonus–Johnny Socko
  • The Boogie Monster–Gnarls Barkley
  • Book of Dreams–Suzanne Vega
  • Book of Dreams–Dion
  • Bookends Theme–Simon & Garfunkel
  • Bookends Theme–Simon & Garfunkel
  • The Bookhouse Boys–Angelo Badalamenti
  • Boom Boom Pow–Black Eyed Peas
  • Boom Box–The Lonely Island
  • Bootleg [live]–John Fogerty
  • Boots of Spanish Leather–The Airborne Toxic Event
  • Boots of Spanish Leather–Bob Dylan
  • Booyaka 619–P.O.D.
  • Bop to The Top–Sharpay & Ryan (High School Musical Cast)
  • Border Song–Elton John
  • Borderline–Alison Krauss
  • Borderline–Madonna
  • Borderline–Madonna
  • Borderline/Open Your Heart–Madonna

We all have out guilty pleasure music/tv/movies, and in the first category, I would list “Miami Sound Machine”. While I don’t own the band’s complete catalogue, I do enjoy almost everything off Primative Love, with one song in particular (which I will discuss in deeper detail when I get to it) holding a special place in my heart. Speaking of Gloria Estefan, she popped up on the season finale of Glee that I mentioned earlier (I promise I was only watching in passing!). For a woman looking to celebrate her 55th birthday this year, she looks great. She could be described as either a “bonnie” or a “belle” so she hit two-thirds of the Richard Thompson song title that followed–I would not describe her as “bogie” so she’s not the trifecta.

The defining song of Queen came next, one that gets a pop culture revival every few years. It shouldn’t need it, as with its shifting styles and tempos and grand feel, the song is a must-own for everyone. But thanks to Wayne’s World, Rock Band 3, and Glee, the song has seen popularity boosts in the last few decades (with the first being the largest boost). But man, it is a long song, and I got to hear it twice–although the Glee version doesn’t hold a candle to the original of course. Going from a Freddy Mercury song to a Bjork seems like a fairly natural transition, even if the latter’s contribution is only a tribute to Joni Mitchell.

I remember from history classes that boll weevils were a blight upon the cotton growing industry, but thanks to POTUS, they can be a blight on my musical lists as well! (Only kidding, the song, like most Presidents of the United States selections, is a fun rocking tune.) Speaking of fun, “Bombay” is probably my favorite Timbaland song. I love the exotic music mixed with his beats. Now in their song, Echo & The Bunnymen travel quite a bit, but I’m not entirely sure where “Bomber’s Bay” is located, but if we cut out the ‘ber’s ‘ in the middle, it could be Bombay as well. I’d like to visit Bombay (or Bomber’s Bay) some time, but at this point in my life, extensive travel is not on the menu. I won’t say that I’m “Bone Broke” despite the fact that it would be an awesome transition to the next song on the list. The song is another reminder that I’d like to pick up the new Jack White solo album as I’ve heard a couple of the tracks on the radio and have enjoyed them. The anatomy lesson continued with the Killers “Bones”, another excellent track from their Sam’s Town album. I then got a Childish Gambino track “Bonfire”. I know I’ve said that I’m still trying to figure out whether I like his CD, but “Bonfire” is great, and it’s received some repeat listens from me recently.

The next three tracks passed quickly, as they were all effectively transitional songs from albums. “Bonny” was from an AC/DC performance in Scotland–the band treated it as an instrumental, but the fans provide the vocals. It’s a pretty cool demonstration of the power a large crowd can have when united to accomplish something, even something as simple as a song.  That was followed by two tracks with the same “Bonus” name from the debut album of Johnny Socko. When things returned to normal songs, I heard my first Gnarls Barkley song on this list, “The Boogie Monster”. My wife recently joked that if I ever passed away, she’d consider having an affair with Billy Bragg’s voice. I think she’d also consider the voice of Cee-Lo Green as well, as she loves his dulcet tones. I do as well, but I wouldn’t go that far.

Time to head to the library as I got two “Book of Dreams” releases, first by Suzanne Vega, which I enjoyed more, with the second being a Dion cover of a Bruce Springsteen song from “Lucky Town”, one of the rare Bruce Springsteen albums we don’t own–so we get the cover but not the original. Things stay bookish but get transitional again with the “Bookends” themes from Simon & Garfunkel that opened and closed side one of their same-titled album. The first is instrumental and the second has a small amount of lyrics. The last volume of my “Book…” collection is an instrumental piece from the television program Twin Peaks. Like much of the soundtrack album, “The Bookhouse Boys” is such a unique piece that it immediately puts me back to when I was in college and each new episode was an event. It’s too bad that cable networks didn’t exist then, as I believe an HBO or AMC could have given Lynch the time and  creative freedom to make Twin Peaks last five seasons.

Despite their lackluster Super Bowl halftime performance, I continue to be a big Black Eyed Peas fan, and will mix tracks in from The E.N.D. in any and all playlists. I’ve heard people complain that the group was overexposed on radio, but where I don’t listen to radio and instead choose my own tracks, I didn’t have to suffer through that issue. The Peas were followed by another monster rap-influenced group, the Lonely Island. Their “Boom Box” track, like most of their songs, has a great beat and hilarious lyrics, particularly their obsession with boiled goose throughout the number.

John Fogerty was the last song before a pseudo-Spanish run began, starting with two versions of “Boots of Spanish Leather”, first a cover by the Airborne Toxic Event and then the original by Bob Dylan. Listening to the song, it seems like the title should be “Spanish Boots of Spanish Leather” but Bob didn’t want redundancy in the title even if it’s in the lyrics. I guess I should just be thankful it’s not called “Bob Dylan’s Boots of Spanish Leather”. P.O.D.’s theme song for Rey Mysterio keeps the Hispanic flavor coming, but then the cast of High School Musical really stretch things with the two whitest kids in the cast singing a song with lots of Spanish words and phrases. Perhaps they learned them from the household help.

I knew the list was coming to an end as I reached the border.  Elton John gave me the first clue before I reached the “Borderline”. Of course when I hear that title, I automatically assumed it was the Madonna version, but first I got a different song with the same title from Allison Krauss. I don’t remember the song, but I really enjoyed it. I then got the “Borderline” I first remembered, with two versions actually, one from her debut self-titled album and one from a greatest hits collection. Things closed with a “Borderline” mash-up with “Open Your Heart” from the Madonna-themed episode of Glee, which I feel was the strongest themed episode of the show.