Who wants apple spit in their face?

The two days covered today represent the 10th and 11th days of consecutive gym visits–one of my best runs in months. And I feel fine with the reason the streak ended, as my wife, kids, and I got to visit my parents, sister, and nephew on Sunday.

Friday, July 27, 2012

3.00 miles on the elliptical machine at the gym

  • Contact–Rent
  • Contagious–Avril Lavigne
  • Continental Drift–The Rolling Stones
  • The Continuing Story of Bungalow Bill–The Beatles
  • Contrecoup–They Might Be Giants
  • Control–Metro Station
  • Control–Glee
  • Controversy–Prince
  • Conversation 16–The National
  • Cook’s County–The Who
  • Cooksferry Queen [live]–Richard Thompson
  • Cooksferry Queen–Richard Thompson
  • Cooksferry Queen–Richard Thompson
  • Cool–WWE

If you ask me the best way to start a workout playlist, “Broadway showtune” is not high on my list of options. Now my youngest daughter would strongly disagree with me, particularly when said track is from Rent, one of her favorite musicals (and she’s into them enough that she could do a top 10, and really have to consider all the candidates). I don’t know much about “Contagious” but I should give it more of a chance because I do find myself enjoying most Avril Lavigne I hear. That is also true of Rolling Stones content, including today’s song from their Steel Wheels album. Now while all Beatles songs, particularly their later works, are awesome, some are less useful as workout numbers. Luckily, “The Continuing Adventures of Bungalow Bill” works well in that capacity.

Once again, They Might Be Giants has me looking up information on a song title of theirs. Apparently “Contrecoup” is a head injury, specifically an injury that occurs on the opposite side of the injury’s impact. What a great group–one that entertains and educates! Two different “Control” songs followed with Metro Station giving their own version of the song, while the cast of Glee covered the Janet Jackson hit. I then got to hear a trio of artists I love, starting with an early Prince hit, “Controversy”, which is now more that 30 years old, which I consider the true controversy. Next up was one of my favorite more recent acts, The National, with a track from their most recent album. This trio closed with the Who, which is always welcome. Speaking of trios, I got a trio of “Cooksferry Queen”s from Richard Thompson, with one live and two studio versions. The song was originally on Mock Tudor, a favorite album of the family. When he was young, my son loved “Crawl Back” in particular, which I’ll be visiting soon enough. This list closes with one of the most baffling WWE theme songs ever, that belonging to Carlito. The song opens with Carlito speaking and he states “I spit in the face of people who don’t want to be cool.” Here’s my question. Who doesn’t want to be cool? Particularly if the consequences are getting chucks of pre-chewed apple spat at you? I never got that at all. Wouldn’t it have been better and made more sense if he just said “I spit in the face of people who are not cool” or something like that?

Saturday, July 28, 2012

3.15 miles on the elliptical machine at the gym

  • Cool, Cocky Bad–WWE
  • Cool Dry Place–Traveling Wilburys
  • Cool For Cats–Squeeze
  • Cool Front–Digable Planets mashup with The Who
  • Cool Jerk–The Go-Gos
  • Cool Places–Sparks & Jane Wiedlin
  • Cool the Engine–Boston
  • Cool Water–Talking Heads
  • Cool, Cool River–Paul Simon
  • Cooties–Hairspray
  • Copacabana (At the Copa)–Barry Manilow
  • Corporate Ministry–WWE
  • Corrina, Corrina–Bob Dylan
  • Corrina, Corrina–Pete Townshend
  • Cosmic Love–Florence & The Machine
  • Cosmic Thing–The B-52’s

It’s another paired bracket as I get another WWE theme to open this list after one closed the last. It’s actually the first of two WWE theme songs I heard today, with the Honky Tonk Man’s Elvis tribute coming first and the mashup of Vince McMahon and Undertaker themes coming later in the list. Speaking of mashups, a message-board friend created (or just shared, I’m not entirely sure) “Cool Front”, which mashes Digable Planet’s “Rebirth of Slick (Cool Like Dat)” with the Who’s “Eminence Front” (easily one of my top 10 Who songs).  The combo is outstanding. The two songs before the mashup were great as well, as I will never tire of the Traveling Wilburys or Squeeze.

I love the Go-Go’s (saw them in concert my senior year in college), but “Cool Jerk” is my least favorite song by the group. If I want to hear a “Cool…” song involving a Go-Go, I’d much prefer the next track “Cool Places” with Jane Wiedlin of the group teaming up with Sparks. I loved the song when it first came out (the only year of junior high/high school that I had MTV), and was happy that I was able to add the single to my collection thanks to a compilation album. “Cool the Engines” is probably one of the biggest “no duh” songs for the group Boston as it seems like all their album covers were built around giant guitar-shaped spaceships. Coming back to Earth, the Talking Heads sang of “Cool Water”, and if you were looking for a location for such a thing, Paul Simon would correctly suggest a “Cool, Cool River”.

After things were cool for such a long time, I guess the antidote would be some “Cooties”, which arrived courtesy of the Hairspray soundtrack. I think my wife would argue that the list continued moving in a non-cool direction with “Copacabana” (she is most assuredly not a Fan-a-low), but I do find the song fun and will sing along whenever it comes on. If my singing has the chance to embarrass my wife and kids, well it’s always nice to get a bonus like that, right? While most of the Chimes of Freedom cover artists are newer acts, some of the album’s tributes come from stars as revered and longstanding as Dylan himself, and on “Corrina, Corrina”, Pete Townsend provides one of the best of those pairings. I may have to borrow Boston’s guitar rocket for the last two songs, as things get a bit “Cosmic…” with a Florence & The Machine number and the title track from the B-52’s album.

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Dr Dre’s Christmas Glaze!

It’s the moment (none of) you have been eagerly discussing and speculating about–I am going to catch up on a number of of exercise days by lumping a number of songs together–normally I wouldn’t do this, but the overwhelming majority of songs are “Christmas…” songs (great for working out!) and there really isn’t much to say about a dozen variations on “Chestnuts roasting on an open fire…”

The Week of 9, 2012

4 miles of walking to commemorate Red Sox victories #39 and #40 of the 2012 season plus several gym sessions

  • Chorale–Richard Thompson + Danny Thompson
  • Chow Down–The Lion King Cast
  • Christ for President–Billy Bragg & Wilco
  • Christian’s Inferno–Green Day
  • Christie Lee–Billy Joel
  • Christine Sixteen–Gin Blossoms
  • Christmas–Blues Traveler
  • Christmas (Baby Please Come Home)–U2
  • Christmas All Over Again–Tom Petty
  • Christmas At 22 (featuring Laura Borucki)–The Wonder Years
  • Christmas Bells–the Rent cast
  • Christmas Canon–The Trans-Siberian Orchestra
  • Christmas Day–Dido
  • Christmas Don’t Be Late (Chipmunk Song)–Powder
  • Christmas Eve Montage–RJD2
  • Christmas Eve Without You–Glee Cast
  • Christmas Everyday–The Temptations
  • Christmas in Hollis–Run D.M.C.
  • Christmas in Hollis–Run D.M.C.
  • Christmas in the City–Mary J. Blige
  • Christmas Is–Run D.M.C.
  • Christmas Is All in the Heart–Steven Curtis Chapman
  • Christmas Is Coming–Vince Guaraldi Trio
  • Christmas Is My Favorite Time of the Year–Kenny Rogers
  • Christmas Is Now Drawing Near at Hand–Stevie Winwood
  • Christmas Is The Time To Say I Love You–SR-71
  • Christmas Pics–Barenaked Ladies
  • The Christmas Song–Christina Aguilera
  • Christmas Song–Dave Mathews & Tim Reynolds
  • Christmas Song–Dave Mathews Band
  • The Christmas Song–Hootie & The Blowfish
  • The Christmas Song–Luther Vandross
  • The Christmas Song–The Nylons
  • The Christmas Song–Vince Guaraldi Trio
  • The Christmas Song (Chestnuts Roasting On An Open Fire)–Celine Dion
  • The Christmas Song (Chestnuts Roasting On An Open Fire)–John Denver
  • The Christmas Song (Chestnuts Roasting On An Open Fire)–Martina McBride
  • Christmas Time–Smashing Pumpkins
  • Christmas Time Again–Extreme
  • Christmas Time Is Here–Toni Braxton
  • Christmas Time Is Here–Dianne Reeves
  • Christmas Time Is Here–Vince Guaraldi Trio
  • Christmas Time Is Here–Vince Guaraldi Trio
  • A Christmas To Remember–Amy Grant, Beverly Darnall, Christopher Eaton
  • Christmas Wish–Stacie Orrico
  • Christmas Wrapping–Glee Cast
  • Christmastime (Oh Yeah)–Barenaked Ladies
  • Christmastime Is Here–Sixpence None the Richer
  • The Chronic (Intro)–Dr. Dre featuring Snoop Dogg & Colin Wolfe
  • Chronomentrophobia–Andre 3000
  • Chump–Green Day
  • The Church of Hot Addiction–Cobra Starship
  • The Church of Hot Addiction–Cobra Starship

It’s not all Christmas, all the time–there’s a handful of songs at the beginning and end of the list that fall out of the category. The starting song was a reminder of my messed-up “fun fact” from yesterday, as I got another Richard Thompson and Danny Thompson collaboration. With a title like “Chorale”, you’d think it was from a Broadway show, so it served as a bit of a harbinger for the next song, which comes from the Broadway version of The Lion King. 

Before we get into a whole bunch of songs celebrating his birthday, Christ gets a little political love from Billy Bragg & Wilco, who suggest Christ should run for president. I’m assuming he’d have to run as an Independent, as his “actually helping the poor and not bombing the country’s enemies” would run counter to the Christian Right’s platforms and Christ seems like a man of action which wouldn’t jive well with the Left either. But the song does give me a chance to once again implore you to get any of the Mermaid Avenue releases. The song was the first of four to name someone in their title, as it led to a Green Day song about “Christian…”, a Billy Joel song about “Christie Lee” (it must be tough to have a song in your musical catalogue that you wrote about a love, only to have that love go bad. Does the song become unplayable?), and then the Gin Blossom’s excellent cover of “Christine Sixteen”.

But then the multi-day run of Christmas songs began. The first three songs come from my favorite series of holiday albums, the Very Special Christmas series. I loved the first few, as it was current artists giving their spin on classics or new songs (like the Blues Traveler, U2, and Tom Petty selections that start this run), but I haven’t given volume 7 a listen as it seems like a collection of Disney/Kids Bop artists. That may not be fair–after all, they’re just looking to support the Special Olympics as well. But it will be hard to top that first album (which produced the U2 track) and the second (Tom Petty). The Wonder Years song is a recent addition (post holiday 2011), so I haven’t given it a listen yet. I had never heard the Rent song until recently–we rotate who gets to pick the films for family movie night, and my youngest recently chose the film version of Rent. I enjoyed it more than I thought I would and I did find the Christmas scenes moving.

It’s strange that I own as many Christmas CDs as I do, and do not own a single Trans-Siberian Orchestra release (this track is from a compilation). It seems like in recent year, TSO (do people use that acronym?) is the go-to group for holiday tunes–probably because the instrumental pieces are good background music as you’re doing something else. The Dido song would also do a nice job filling that role of unobtrusive tunes. Powder did an excellent job covering the Chipmunk’s signature song, although it wasn’t grouped with the originals because when the Chipmunks perform the song they get the main title and the “Christmas…” portion is the parenthetical, but for Powder the two were reversed. The “Christmas Eve Montage” number comes from my favorite Christmas/not Christmas movie, The Nightmare Before Christmas, a film my youngest has grabbed and completely run with. She’s also the Glee fanatic, as mentioned before, but I did enjoy their cover of “Christmas Wrapping”, but it makes me sad that I don’t own the original version by the Waitresses.

Nice run of The Temptations and Mary J Blige surrounding three tracks from Run D.M.C., including “Christmas in Hollis”, a favorite new Christmas classic for me, particularly for the line “But I never steal from Santa, cuz that ain’t right…” which seems to indicate that stealing from others is a-OK. I think Run D.M.C. was the first repeat artist in the Very Special Christmas series, as they came right back for Volume 2 with another great new holiday number that probably gets overlooked because of just how awesome “Christmas in Hollis” is.

The next batch of six songs contains mostly innocuous numbers that again serve as excellent background music for Christmas parties and gatherings, including the first of four appearances on the list from the Vince Guaraldi Trio, the composer and group responsible for the instrumental score for the Charlie Brown Christmas special, including the great original number “Christmas Time Is Here”, which is covered later by a few artists, including Toni Braxton and Sixpence None The Richer. One of the more rocking Christmas songs is in this section, the SR-71 cover o f Billy Squier’s “Christmas Is the Time to Say I Love You”.

Then we get our run of Mel Torme’s classic song. Now when I edit lines of books, it’s important to have a style guide in order to maintain consistency. Clearly Christmas songs could benefit from this as well. There’s three different titling styles for this song alone, as some use the parenthetical, some do not, and for some reason Dave Mathews is not a fan of the definite article as a title opener (I guess that is consistent with his band name at least). I didn’t realize I had two versions of his cover of the song and wasn’t paying complete attention while I was exercising to it, so at one point I thought he had done an 8-minute version of the song, which seemed a bit excessive. I think the Hootie version is my favorite cover of the song.

After all these Christmas songs, I knew whatever followed was probably going to be a bit jarring, and having Dr. Dre’s opening track from The Chronic is about as jarring as you’re going to get, and it served as a perfect way to move on from the Holiday run. Andre 3000 stayed in thematic line with Dre, and then I got a little punky with Green Day’s second appearance on the list (both non-holiday related) before closing with two copies of the Starship Cobra hit.