Fixing the Presidential Debates with a little help from Community

So we’re going to have a bit of a temporal shift today. I’d like to talk about my time at the gym last night (Wednesday, October 3rd) even though the songs being discussed are from earlier in September. I just feel it would have a bit more impact to be more timely in my openings. Wednesday night I was working out at the gym from 9:30 to 10:30, and while I was listening to my music, I was reading the debates on the overhead TV screens. It felt like my childhood a bit, as the televisions at my end of the gym are set to ABC, NBC, and CBS, the three networks from the first 15 years of my life (this always comes as a complete surprise to my children when I tell them there was a time when Fox was not a network–well, surprise or boredom; I can’t always read their expressions when I’m telling them stories about the olden days). So all three networks were showing the debate, and while I had no sound, I was able to follow the close captioning.

While I agree with the general consensus that Romney outperformed Obama, my larger question is “Who Cares?” For years, debates have been worthless, a test of who can memorize pithy platitudes about why their position is beneficial to the American people and their opponent is looking to destroy our country. It’s not a true debate because there’s no true back-and-forth, no discussion of key issues/topics, in fact, I’d argue that neither side truly listens to what his opponent even says–each is too busy feeding red meat to his party base.

So how to fix? You can’t just eliminate the debates, but maybe we could radically restructure them. Then I thought about Community. Last season they had an episode where two students were each trying to form a school Model UN club, and to settle which group would get the school’s charter, a “Model UN off” was held. A moderator would pick random crisis topics out of a fishbowl and each group had to work out how to solve the proposed problem. (Trust me, it was very funny.) Comedy aside, wouldn’t this make a better format for a debate. Each candidate, and perhaps 3-5 advisors on stage with them, would have scenarios that might happen over the next four years tossed their way that they then have to suggest how they would solve. Wouldn’t that better inform us of the Presidential mettle of each man? Now, the moderator would probably be some venerable journalist, but I would prefer they use Erik Charles Nielsen from that episode of Community, just to re-create his awesomely shrill cries of “Crisis Alert!” before announcing each topic–“Crisis Alert! Russia declares war on Germany!” or “Crisis Alert! A large-scale hurricane devastates Houston, Texas”. It’d be better than what we’ve got right?

Thursday, September, 6, 2012

3.15 miles on the elliptical machine at the gym

  • Die, All Right!–The Hives
  • Diesel Blues (Diesel)–WWE
  • Different Finger–Elvis Costello
  • The Difficult Kind–Sheryl Crow
  • Dig A Little Deeper–Peter Bjorn & John
  • Dig A Pony–The Beatles
  • Dig A Pony–The Beatles
  • Dig For Fire–The Pixies
  • Dig It–The Beatles
  • Dig My Grave–They Might Be Giants
  • Digging in the Dirt [Live]–Peter Gabriel
  • Dignity–Bob Dylan
  • Dime–CAKE
  • Dime Mi Amor–Los Lonely Boys

While there are some out there, it’s not often you get a song with a really mean title, but I think the Hives telling me to “Die, All Right!” certainly qualifies. I am willing to forgive the brusque nature of the title because it is a kick-ass song, like just about every offering from the group. It’s a return of a pair of music-list standards next, starting with another WWE theme, this one for the Kevin Nash persona Diesel and then Elvis Costello. I can make a mental tie from Costello to the next artist on the list, Sheryl Crow, as I believe the two performed at a online concert before the 2009 MLB All-Star Game in St. Louis. I remember watching it on my laptop so that my wife could see her favorite, Costello, do his thing.

I enjoyed the next seven songs, starting with my favorite track from Peter Bjorn & John’s most recent album (which if you think you’ve never heard of the band but you watch 2 Broke Girls, well, then you have heard the band, as the opening theme is performed by them. Thanks to Let It Be and Let It Be Naked, I got three Beatles songs about digging, with a Pixies number snuck in there as well.  Things got even better with a fun They Might Be Giants song, and then a live track from Peter Gabriel. Speaking of Peter Gabriel live, he’s apparently coming to Connecticut for a concert later this year. I’m getting to an age where I think going to a concert seems like a hot of hassle, but for some reason I’d like to see Gabriel (although finances make it unlikely).

For the last three songs, I get “Dignity” from Bob Dylan, which I find a little ironic seeing that when I saw Dylan perform live a few years back, his voice was so shot that if he had any dignity, he wouldn’t be touring any more. I enjoy CAKE so much, but often forget about this enjoyment, so I forget to listen to their music at times.  The final number in today’s list was a Spanish-language track from Los Lonely Boys.

 

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Letters to my Parents, God, the President, and The Man

Well, it hasn’t happened for some time, but nobody’s perfect, as I demonstrated by publishing this post with the placeholder [opening graf] before the exercise lists. So this is an edited second edition! Labor Day weekend is coming to an end, and hopefully so is my summer at home. I’d like to hear from prospective employers and I’m thinking that the odds of it increase after Labor Day as tons of people took the last week or two of August off and now places should be running at full capacity again.

Sunday, August 26, 2012

3.00 miles on the elliptical machine at the gym

  • Deadbeat Club–The B-52’s
  • Deadly Game–Theory of a Deadman
  • Deadly Game (“Survivor Series” Theme)–WWE
  • Dear Agony–Breaking Benjamin
  • Dear God–Avenged Sevenfold
  • Dear John–Cyndi Lauper
  • Dear John–Taylor Swift
  • Dear John (I Sent Your Saddle Home)–John Prine
  • Dear Mary–Linda Thompson
  • Dear Mr. Man–Prince
  • Dear Mr. President–4 Non Blondes

Today’s list began with my last three “Dead… songs, with a B-52’s number from Cosmic Thing and two versions of the WWE theme song “Deadly Game”. I’d say that it’s nice to see a cover of a WWE song indicating it’s general success, but seeing that the cover also appears on a WWE album, that seems to be a bit of a stretch. Next up was the title track to Breaking Benjamin’s fourth album and another band my kids love, Avenged Sevenfold. (Although I will admit that in certain moods and situations I enjoy A7X–awesome abbreviation, by the way–songs as well, including “Dear God”).

The next three songs are “Dear John” numbers. I wonder if Dear John letters are a concept that kids today understand, or if they just think of it as a Channing Tatum movie. It was easier to know the concept when I was growing up when M*A*S*H reruns would occasionally hit the topic and Judd Hirsch starred in a sitcom named after the idea (and it had one of those “explain the concept” title songs). Of the three songs, I like the John Prine  number the most, although it was the only song from his In Spite of Ourselves that was not sung as a duet. After all the John letters (which is the name of my father), the next song was named after my mother, Mary, which is good as she would have been upset to be left out. After the personal letters, we get to letters to the people in authority, with Prince seeking out Mr. Man and flash-in-the-pan 4 Non Blondes reach out to Mr. President.

Monday, August 27, 2012

3.00 miles on the elliptical machine at the gym

  • Dear Old Man of Mine–Linda Thompson
  • Dear Old Shiz–Wicked Cast
  • Dear Prudence–The Beatles
  • Dear Sweet Filthy World–Elvis Costello
  • Dear Yoko–John Lennon
  • Dearest–Buddy Holly
  • Death and All of his Friends–Coldplay
  • Death of a Martian–Red Hot Chili Peppers
  • Death of Me–Crooked X
  • Death or Glory–The Clash
  • Death to My Hometown–Bruce Springsteen
  • Debaser–The Pixies

I was going to say that the letter-writing continues, but I believe the use of “Dear…” at the beginning of the first two songs is more a term of endearment that a salutation. The first is the second Linda Thompson number in this update (which is interesting as we only have one of her solo albums total) and the second comes from the Wicked soundtrack, a favorite of my youngest daughter. With all due respect to Broadway showtunes, but the list really picked up after that starting with a Beatles’ White Album track and then an Elvis Costello number.

I like to give my wife a hard time about Paul McCartney, and yesterday I was getting under her skin by referring to Sir Paul as the leader of  the Beatles. She angrily exclaimed that he was not the leader of the group, but then I continued needling by (I believe correctly) pointing out that if John was the leader, Yoko’s name would have been in so many more songs, like today’s “Dear Yoko”. I figured we would have had “Yoko’s Silver Hammer”, “Hey Yoko”, “Let It Be Yoko”, and more. She did not like that point. A great Buddy Holly song from the Juno soundtrack followed. I really liked that movie and if it helps introduce kids today to great music like Buddy Holly, the Kinks, and Sonic Youth, all the better.

After Coldplay, the Red Hot Chili Peppers, and Crooked X, I get the excellent bonus of  London Calling and Doolittle tracks with a Bruce Springsteen number in between.

Back into a routine

Boy that was quite the list of songs I dumped on you last time, and if it got to a point where your eyes glazed over and you skipped to the bottom, I understand completely and apologize. I’m attempting to make sure that doesn’t happen again, although I am now six visits behind again, although it’s for a good reason–while I was preparing that massive list, I’ve found my exercise inspiration and have gone to the gym each of the last six days (so I have to go tonight to make it a solid week!). It feels great to be back on an exercise routine–it may be my imagination, but when looking in the mirror this morning, my face looked thinner. I think I’ll have a cheeseburger to celebrate!

Friday, August 24, 2012

2.75 miles on the elliptical machine plus upper-arm weight work at the gym

  • Day Tripper–The Beatles
  • Day Tripper–The Beatles
  • Daybreak–Barry Manilow
  • Daylight–Drive-By Truckers
  • Days/This Time Tomorrow–Ray Davies
  • Days Go By–Keith Urban
  • Days Like These–Asia
  • Daysleeper–R.E.M.
  • Dazed and Confused–Led Zeppelin

There’s certainly no problem hearing a song two consecutive times when it opens with an amazing guitar riff like “Day Tripper”, which is certainly my favorite Beatle opening and is in the all-time running as well. As an added bonus, hearing the name of the song makes me think of The Daytrippers, a great independent movie from the 90’s featuring Parker Posey. (Boy, she truly was the Queen of the Indys back then–Party Girl, Clockwatchers, The House of Yes, and more.) If you are looking for a musical talent to pair with the Beatles, there aren’t many candidates that can hang with the power of Lennon-McCartney-Harrison-Starr, but Manilow is one that works, right? (I kid, I kid, for the most part, but I still enjoy the occasional Manilow number.)

Two of the next three songs fit into the broad “country” label, with my preferred group being the Drive-By Truckers. The Keith Urban song is one I’m less familiar with, even though it was on one of my daughter’s first CDs she ever owned, Now That’s What I Call Music 17. Those modern-day K-Tel collections always collect 20 songs and 18-19 are pop, rock, or hip-hop, with one of two country songs thrown in, and Urban filled the quota on Volume 17. Sandwiched between the songs was one of my favorite numbers from the Ray Davies compilation of re-imagined Kinks numbers See My Friends, the medley of “Days” and “This Time Tomorrow” with Mumford & Sons. The Asia song “Days Like These” was an add-on song to their greatest hits collection (isn’t releasing a best of album after three studio albums a little ridiculous?).

After the R.E.M. song “Daysleeper”, it was time for some live Led Zeppelin. Usually I get to hear 12-15  songs during a gym workout, but today was only nine, owing to the 26-minute length of “Dazed and Confused”, meaning I thought this song would never end. (I guess when The Song Remains the Same was released as a double-record, this song was a side unto itself–easier to skip!)

Saturday, August 25, 2012 

3.12 miles on the elliptical machine at the gym

  • De Do Do Do, De Da Da Da–The Police
  • De Todo Un Poco–Michael Lloyd & Le Disc
  • Deacon Blues–Steely Dan
  • Dead–The Pixies
  • Dead–They Might Be Giants
  • Dead End Street–Ray Davies
  • Dead Hearts–Stars
  • Dead Horse–Guns N’ Roses
  • Dead Letter–Elvis Costello
  • Dead Man (Undertaker)–WWE
  • Dead Melodies–Beck
  • Dead Men Tell No Tales–Set Your Goals
  • Dead of the Night–Bad Company
  • Dead on Arrival–Fall Out Boy
  • Dead on Arrival–Fall Out Boy
  • Dead on Arrival–Fall Out Boy
  • Dead or Alive–Journey

Old school Police is an excellent way to get the exercise ball rolling, even if an instrumental number from the second Dirty Dancing soundtrack follows and attempts to kill all forward momentum. When I play the “worst CD purchase I ever made” game, that secondary bonus soundtrack is a strong, strong contender. It’s so bad that I even feel guilty trying to pass it off as something my wife brought into our relationship. I have to take full responsibility for it. I will also take credit for the Steely Dan in our collection, although it is only a greatest hits collection, which I think is more than enough for me.

The music of the “Dead..” starts next, and I’m talking literal titles, not selections from Jerry Garcia’s band. I own two simple “Dead” songs from great sources–The Pixies and They Might Be Giants. I’m more attached to the TMBG song historically, but who doesn’t love the source of the Pixies’ number, the amazing album Doolittle?  I then got another Ray Davies offering from See My Friends (it seems like an inordinate number of tracks on the album start with ‘D’–3 of 14 to be exact). I highly recommend this album, which has received a significant bump in plays in the family household recently.

“Dead Hearts” is an excellent number from the Montreal-based band who, if you’re looking for a new album to enjoy, will be releasing their latest, The North, next week (9/4/12).  This was followed by a hate/love combo for my wife, as she cannot stand Guns N’ Roses, but I think I could have gotten her to hang on through the song with the promise that Elvis was coming up next. Of course, a WWE theme following would have gotten her to leave post haste, even if it is one of the many cool variations on the Undertaker’s music. She’d eventually regret leaving, as she would then miss an awesome Beck number (it’s like the alphabetical list is playing tennis with my wife’s musical emotions!)

I’m still not entirely sure how I feel about Set Your Goals, one of the many new musical acts my son got into this past summer. I probably need to give their work more attention before making a decision. I do feel fine about one of my daughter’s groups, Fall Out Boy, but they’ve been part of our library for a much longer timeframe. (Although I’m not a big enough fan that hearing “Dead on Arrival” three times in a row made me happy.) My list closed with some Raised on Radio Journey, the album that made us realize that group was effectively “Dead…” and is now just a touring nostalgia act.

 

1111–Make a Wish

For my kids, any time they see 11:11 on a digital clock face, they say “11:11–make a wish!” When setting up my post for today, I noticed that I’ve now had 1,111 total page views, so I decided to make some wishes concerning this blog. I don’t believe I can share the specifics of the wishes if I want them to come true, but with the wishes topic being the blog, it’s probably pretty easy to guess their general direction. (And let’s just say I’d like to be making the 11,111 views wish sooner than later).

I have finally decided to catch back up, so this entry is going to be for the last several weeks, as well as 5 Red Sox victories (which will not catch me up with them, but will get me closer seeing that they’ve kindly decided to win only one game in the last week). There will be less total commentary, but you will see that I’m now over 2,000 songs and have crossed into the ‘D’ entries. (I apologize for hitting so many songs at once, but I figure it’s the only way to get back on track and on time, particularly with how little blogging I’ve done the last week, first from excitement that my job hunt may have finally ended, and then my sadness that the job hunt has to continue, and there doesn’t seem to be anything imminent).

August 4-23, 2012

Multiple gym visits plus 5 2+ mile walks to commemorate Red Sox victories 44 through 48 of the 2012 season

  • Crazy For You–Madonna
  • Crazy For You–Madonna
  • Crazy In Love–Beyonce
  • Crazy Life–Toad the Wet Sprocket
  • Crazy Little Thing Called Love–Queen
  • Crazy Love, Vol. II–Paul Simon
  • Crazy Man Michael–Fairport Convention
  • Crazy Ones–John Mellencamp
  • Cream–Prince
  • Creatures of Love–Talking Heads
  • The Creep–Lonely Island
  • Creeping Death–Metallica
  • Creeping Out Sara–NOFX
  • Creeque Alley–The Mamas and the Papas
  • Cremation–Lou Reed
  • Crescent Moon–Cowboy Junkies
  • Cressida–Richard Thompson
  • Crime of the Century–Supertramp
  • Crimes of Paris–Elvis Costello
  • Crimes of Paris [Electric Edition]–Elvis Costello
  • Criminal–Disturbed
  • Crimson and Clover–Joan Jett
  • Crocodile Rock–Elton John
  • Cropduster–Pearl Jam
  • Cross Bones Style–Cat Power
  • Cross My Fingers–John Hiatt
  • Cross The Border–Icehouse
  • Cross-Eyed Mary–Jethro Tull
  • Crosseyed And Painless–Talking Heads
  • Crosseyed And Painless–Talking Heads
  • Crosseyed And Painless–Talking Heads
  • Crossroads–Cream
  • Cruella De Vil–Los Lobos
  • Cruella DeVille–The Replacements
  • Cruisin’ in the ATL (Interlude)–Outkast
  • Crumbs From Your Table–U2
  • Crunchy Granola Suite [Live]–Neil Diamond
  • Crush–Glee Cast
  • Crushcrushcrush–Paramore
  • Cry Baby Cry–The Beatles
  • Cry Freedom–Dave Mathews Band
  • Cry If You Want–The Who
  • Cry on My Shoulder–Bonnie Raitt
  • Cry To Me–Solomon Burke
  • Cry, Little Sister (Theme From The Lost Boys)–Gerard McMann
  • Crying–TV on the Radio
  • Crying in the Chapel–Elvis Costello
  • The Crying Scene–Aztec Camera
  • Crying, My Little One…–Natalie Merchant
  • Crystal–Fleetwood Mac
  • Crystal Ball–Styx
  • The Crystal Ship–The Doors
  • Cup of Coffee–Garbage
  • Cupid–Sam Cooke
  • Cupid’s Chokehold/Breakfast in America (Radio Edit)–Gym Class Heroes
  • Curiosity–k.d. lang
  • The Curse–Disturbed
  • Curtain Calls–Old 97’s
  • Cut Flowers–The Smithereens
  • Cut My Hair–The Who
  • Cuts Like a Knife–Bryan Adams
  • The Cutter–Echo & The Bunnymen
  • Cutting Corners–Transit
  • Cuyahoga–R.E.M.
  • Cuyahoga–R.E.M.
  • Cyclone–Baby Bash featuring T-Pain
  • Cyclops Rock–They Might Be Giants
  • D & W–They Might Be Giants
  • D Is for Drums–They Might Be Giants
  • D-7 [Live]–Nirvana
  • D.F. [Interlude]–Outkast
  • Dad’s Gonna Kill Me–Richard Thompson
  • Daddy Can I Turn This?–Elvis Costello
  • Daddy Come Home–Tom Tom Club
  • Daddy Go Down–David Byrne
  • Daddy Learned To Fly–Drive-By Truckers
  • Daddy Needs A Drink–Drive-By Truckers
  • Daffodil Lament–The Cranberries
  • Daft Punk Is Playing At My House–LCD Soundsystem
  • Daktari–10,000 Maniacs
  • Damaged By Love–Tom Petty
  • Damaged Goods–Fastball
  • Damnit–Blink-182
  • Damnit–Blink-182
  • Damnit Janet–The Rocky Horror Picture Show
  • Damn Girl–Justin Timberlake
  • Damn Girl–The All-American Rejects
  • Damn Good Times–They Might Be Giants
  • Damn It, Janet–Glee
  • Damnation’s Cellar–Elvis Costello
  • Damned If I Do Ya (Damned If I Don’t)–All Time Low
  • Dance–Soul II Soul
  • Dance Hall Drug–Boys Like Girls
  • Dance Inside–The All-American Rejects
  • Dance of the Dream Man–Angelo Badalamenti
  • Dance of the Reeds–Baltimore Symphony Orchestra
  • Dance of the Sugar Plum Fairy–Baltimore Symphony Orchestra
  • Dance On Vasoline–David Byrne
  • Dance This Mess Around–The B-52’s
  • Dance With Me–Drew Seeley featuring Belinda
  • Dance With the Devil–Breaking Benjamin
  • Dance, Dance–Fall Out Boy
  • Dance, Dance–Fall Out Boy
  • Dance, Dance [live]–Fall Out Boy
  • Dance, Dance, Dance–The Beach Boys
  • Dance, Dance, Dance–The Steve Miller Band
  • Dancing Bear–The Mamas and The Papas
  • The Dancing Bear–Natalie Merchant
  • Dancing Choose–TV on the Radio
  • Dancing For Rain–Rise Against
  • Dancing in the Dark–Bruce Springsteen
  • Dancing in the Street–Martha Reeves & the Vandellas
  • Dancing Queen–ABBA
  • Dancing Queen–ABBA
  • Dancing Queen–Glee Cast
  • Dancing Through Life–Wicked Cast
  • Dancing With Myself–Billy Idol
  • Dancing With Myself–Glee Cast
  • Dangerous–The Who
  • Dangerous Games–The Byrds
  • Dangerous Politics–WWE
  • The Dangling Conversation–Simon & Garfunkel
  • The Dangling Conversation–Simon & Garfunkel
  • Dani California–The Red Hot Chili Peppers
  • Daniel–Elton John
  • Danny Says–Foo Fighters
  • Dare You To Move–Switchfoot
  • Dark Hand Over My Heart–Richard Thompson
  • The Dark I Know Well–Spring Awakening Cast
  • The Dark Of the Sun–Tom Petty and the Heartbreakers
  • Dark Side (Undertaker)–WWE
  • Dark Sneak Love Action–Tom Tom Club
  • Dark Street–Fastball
  • Dark Was The Night–Kronos Quartet
  • The Darkest Side (Remix)–WWE
  • Darkness–Peter Gabriel
  • Darkness on the Edge of Town–Bruce Springsteen
  • Darkness Surrounding–Avenged Sevenfold
  • Darlin–Avril Lavigne
  • Darlington County–Bruce Springsteen
  • Date To Church–The Replacements
  • Daughter–Pearl Jam
  • Daughters–The Story So Far
  • Daughters of Sorrow–The New Pornographers
  • Dave’s Possessed Hair/It’s What We’re All About–Sum 41
  • David Watts–Ray Davies
  • Dawn of the Dreads–Arrested Development
  • Dawn’s Ballet–Buffy the Vampire Slayer cast
  • Dawn’s Lament–Buffy the Vampire Slayer cast
  • The Day–They Might Be Giants
  • The Day I Tried To Live–Soundgarden
  • A Day in the Life–The Beatles
  • The Day That Love Come To Play–They Might Be Giants
  • The Day The Niggaz Took Over–Dr Dre featuring  RBX, Snoop Dogg, Dat Nigga Daz

Well, that is a *lot* of songs–and there’s no way I’ll be able to provide my usual (arguable) high-quality analysis per number that I usually give, so let’s hit some high (and low) points. “Crazy For You” is one of my favorite Madonna songs for a couple of reasons–first of all, I fully admit to being a sap for the slow numbers, second, it’s part of the soundtrack of a great movie, and finally, it was a big slow-dance song during high-school dances back in the day. I finish up the “Crazy…” section of my list with diverse superstar artists including Beyonce, Queen, John Mellencamp, and Paul Simon. When writing the artist for “Crazy Man Michael”, I initially assumed it was Richard Thompson thanks to the album cover, but it was actually a track from Thompson’s early band Fairport Convention–that’s the nice thing about a boxed set; you get the full spectrum of an artist’s career.

I always have had a bit of a soft spot for the Joan Jett version of “Crimson and Clover” as I won the 45 of the song at a Bar Mitzvah I attended in 8th grade. I wasn’t into music yet (that would come a year later), but I was excited to play it and “Juke Box Hero” but had to wait until I could get to the record store as my mother’s record player did not have an adapter for 45’s. So I think I had to wait until the following weekend until we could get to the Strawberries at the mall to listen to my new music. The John Hiatt song is just one of many from the awesome Perfectly Good Guitar album, a decade-plus staple on my “Desert Island Discs” list. As I have shared before, the Icehouse album Man of Colors is also on that list, which led me to purchase another selection from the group, Great Southern Land, which contains “Cross the Border”, but I did not connect with that album as much.

One effective test of a good song is how much you can tolerate consecutive listens, and three “Crosseyed and Painless” copies worked just fine for me. (Full disclosure, one was from the Stop Making Sense soundtrack, so there was some variety.) But I can honestly proclaim that I would have enjoyed a few more listens. “Cuyahoga” works with two listens for me as well. By the way, I can’t be the only person stunned that the Replacements covered a Disney song, right? I can always count on They Might Be Giants to open a letter with something from their ABCs album, but here the hit double duty, as their “Cyclops Rock” got to close ‘C’ before we started on the ‘D’ songs.  Another funny double-up happened when the Drive-By Truckers hit consecutive “Daddy…” songs as apparently he “…Learned to Fly” and “…Needs a Drink” (hopefully in that order as I assume drunk flying is just as bad as drunk driving.

I’d like to call attention to “Daft Punk Is Playing At My House” by LCD Soundsystem. When it first came out, I was drawn to the song through a pair of unusual methods, with one (OC soundtracks) being a bit more unusual than the other (a video-game soundtrack, specifically an SSX game for my PSP). I will admit loving the song has yet to inspire me to purchase more LCD Soundsystem, although I did enjoy the song and video for their “Drunk Girls” song. I had another one of those grammar choices splitting to versions of a song when the Glee folks broke from the soundtrack of the Rocky Horror Picture Show and turned Damn it into two words. I’d tend to side with the original source material, but I will say that every time I type
“Damnit” as one word, I get the annoying red squiggle underline indicating a misspelling.

It’s always fun to see how quickly a new acquisition shows up in this alphabetical endeavor. My oldest daughter recently purchased the Once More With Feeling soundtrack from Buffy the Vampire Slayer, and two days later I get a pair of “Dawn…” songs from the release. The irony is that she’s my least favorite character from the show. The “Day…” song that must be mentioned is the amazing “Day in the Life” by the Beatles. I’m happy that iTunes has the rights to the Beatles catalogue because otherwise I’d be afraid that Billy Crystal’s joke about kids not knowing who the Beatles are will come true. (It probably does have a kernel of truth these days–after all, the Beatles have not released music in 40+ years and two of them are no longer with us.) The last song and artist was a bit problematic for me. I love the album “The Chronic”, and I of course want to faithfully record the song and artist, but one of the words on each side is a bit problematic to type (I think it’s fairly obvious which word I mean.) But type it I did, but just don’t ask me to say it.

Who wants apple spit in their face?

The two days covered today represent the 10th and 11th days of consecutive gym visits–one of my best runs in months. And I feel fine with the reason the streak ended, as my wife, kids, and I got to visit my parents, sister, and nephew on Sunday.

Friday, July 27, 2012

3.00 miles on the elliptical machine at the gym

  • Contact–Rent
  • Contagious–Avril Lavigne
  • Continental Drift–The Rolling Stones
  • The Continuing Story of Bungalow Bill–The Beatles
  • Contrecoup–They Might Be Giants
  • Control–Metro Station
  • Control–Glee
  • Controversy–Prince
  • Conversation 16–The National
  • Cook’s County–The Who
  • Cooksferry Queen [live]–Richard Thompson
  • Cooksferry Queen–Richard Thompson
  • Cooksferry Queen–Richard Thompson
  • Cool–WWE

If you ask me the best way to start a workout playlist, “Broadway showtune” is not high on my list of options. Now my youngest daughter would strongly disagree with me, particularly when said track is from Rent, one of her favorite musicals (and she’s into them enough that she could do a top 10, and really have to consider all the candidates). I don’t know much about “Contagious” but I should give it more of a chance because I do find myself enjoying most Avril Lavigne I hear. That is also true of Rolling Stones content, including today’s song from their Steel Wheels album. Now while all Beatles songs, particularly their later works, are awesome, some are less useful as workout numbers. Luckily, “The Continuing Adventures of Bungalow Bill” works well in that capacity.

Once again, They Might Be Giants has me looking up information on a song title of theirs. Apparently “Contrecoup” is a head injury, specifically an injury that occurs on the opposite side of the injury’s impact. What a great group–one that entertains and educates! Two different “Control” songs followed with Metro Station giving their own version of the song, while the cast of Glee covered the Janet Jackson hit. I then got to hear a trio of artists I love, starting with an early Prince hit, “Controversy”, which is now more that 30 years old, which I consider the true controversy. Next up was one of my favorite more recent acts, The National, with a track from their most recent album. This trio closed with the Who, which is always welcome. Speaking of trios, I got a trio of “Cooksferry Queen”s from Richard Thompson, with one live and two studio versions. The song was originally on Mock Tudor, a favorite album of the family. When he was young, my son loved “Crawl Back” in particular, which I’ll be visiting soon enough. This list closes with one of the most baffling WWE theme songs ever, that belonging to Carlito. The song opens with Carlito speaking and he states “I spit in the face of people who don’t want to be cool.” Here’s my question. Who doesn’t want to be cool? Particularly if the consequences are getting chucks of pre-chewed apple spat at you? I never got that at all. Wouldn’t it have been better and made more sense if he just said “I spit in the face of people who are not cool” or something like that?

Saturday, July 28, 2012

3.15 miles on the elliptical machine at the gym

  • Cool, Cocky Bad–WWE
  • Cool Dry Place–Traveling Wilburys
  • Cool For Cats–Squeeze
  • Cool Front–Digable Planets mashup with The Who
  • Cool Jerk–The Go-Gos
  • Cool Places–Sparks & Jane Wiedlin
  • Cool the Engine–Boston
  • Cool Water–Talking Heads
  • Cool, Cool River–Paul Simon
  • Cooties–Hairspray
  • Copacabana (At the Copa)–Barry Manilow
  • Corporate Ministry–WWE
  • Corrina, Corrina–Bob Dylan
  • Corrina, Corrina–Pete Townshend
  • Cosmic Love–Florence & The Machine
  • Cosmic Thing–The B-52’s

It’s another paired bracket as I get another WWE theme to open this list after one closed the last. It’s actually the first of two WWE theme songs I heard today, with the Honky Tonk Man’s Elvis tribute coming first and the mashup of Vince McMahon and Undertaker themes coming later in the list. Speaking of mashups, a message-board friend created (or just shared, I’m not entirely sure) “Cool Front”, which mashes Digable Planet’s “Rebirth of Slick (Cool Like Dat)” with the Who’s “Eminence Front” (easily one of my top 10 Who songs).  The combo is outstanding. The two songs before the mashup were great as well, as I will never tire of the Traveling Wilburys or Squeeze.

I love the Go-Go’s (saw them in concert my senior year in college), but “Cool Jerk” is my least favorite song by the group. If I want to hear a “Cool…” song involving a Go-Go, I’d much prefer the next track “Cool Places” with Jane Wiedlin of the group teaming up with Sparks. I loved the song when it first came out (the only year of junior high/high school that I had MTV), and was happy that I was able to add the single to my collection thanks to a compilation album. “Cool the Engines” is probably one of the biggest “no duh” songs for the group Boston as it seems like all their album covers were built around giant guitar-shaped spaceships. Coming back to Earth, the Talking Heads sang of “Cool Water”, and if you were looking for a location for such a thing, Paul Simon would correctly suggest a “Cool, Cool River”.

After things were cool for such a long time, I guess the antidote would be some “Cooties”, which arrived courtesy of the Hairspray soundtrack. I think my wife would argue that the list continued moving in a non-cool direction with “Copacabana” (she is most assuredly not a Fan-a-low), but I do find the song fun and will sing along whenever it comes on. If my singing has the chance to embarrass my wife and kids, well it’s always nice to get a bonus like that, right? While most of the Chimes of Freedom cover artists are newer acts, some of the album’s tributes come from stars as revered and longstanding as Dylan himself, and on “Corrina, Corrina”, Pete Townsend provides one of the best of those pairings. I may have to borrow Boston’s guitar rocket for the last two songs, as things get a bit “Cosmic…” with a Florence & The Machine number and the title track from the B-52’s album.

Would the real Matt Nathanson please stand up?

This week continues an excellent run of consecutive gym appearances. Lost in this streak is walks to commemorate Red Sox victories–as of this writing, I think I am 6-7 victory marches in the hole. I plan to rectify that oversight next week. Even without my promised bonus walks I am extremely happy with my level of exercise these last few weeks, and I’m back in a place where if I don’t get out and get moving, I’m angry with myself–quite the 180 from the usual sluggish “take an act of Congress to get me moving” Dean. Let’s cover three days of exercise lists in this entry:

Monday, July 23, 2012

3.20 miles on the elliptical machine at the gym

  • Colossal–Wolfmother
  • Coma–Guns N’ Roses
  • Come & Talk to Met (Radio Edit)–Jodeci
  • Come and Get Me–Timbaland featuring Tony Yayo & 50 Cent
  • Come Around (featuring Timbaland)–M.I.A.
  • Come As You Are–Nirvana
  • Come As You Are [live]–Nirvana
  • Come Back–Foo Fighters
  • Come Back Around–Feeder
  • Come Back Baby–Elton John
  • Come Back to Me–Janet Jackson
  • Come Crash–A.C. Newman

Wolfmother was another band that I knew nothing about until I heard their “Joke & The Thief” track in the Rock Band series. They’re still not a group I’d choose to listen to on most days, but their metal tracks do inspire me while I’m trying to exercise. That’s also true about the music of Guns N’ Roses, a band I do occasionally choose to listen to (and plan on putting on when I am finished with this entry). The Jodeci song is from one of my many compilation albums. If my list were like the Oscars, Timbaland would be a double nominee with Lead Performer on “Come and Get Me” and Supporting Male on the M.I.A. song “Come Around”. I obviously am a fan of Timbaland, but I enjoy the second song more because of M.I.A.

There are worse things in life than getting a double shot of Nirvana, particularly a studio/live combo of anything off Nevermind and Live in Reading. If you haven’t heard the latter (I’m kind of assuming that everyone has at least listened to, if not a proud owner of, the former), do yourself a favor and grab a copy. Always a bit fitting when Dave Grohl’s band the Foo Fighters comes after Nirvana. “Come Back Around” is yet another song (and by extension, band) to be introduced to me via soundtrack, specifically, the American Wedding compilation. I’m not sure if it puts me in the mood to own more Feeder–any Feeder fans out there willing to argue the group’s cause? As for Elton John, I’d argue I have the perfect amount of his music–a 4-disc boxed set I purchased while in college.

Monday’s list closed with a Janet Jackson number from Rhythm Nation 1814. (It was amazing that the album managed to produce *7* top 10 hits, including “Come Back to Me”), and a track from A.C. Newman, who I love, but would guess will not produce 7 top 10 hits in his entire career, even if you include the New Pornographers (which is a shame).

Tuesday, July 24, 2012

3.10 miles on the elliptical at the gym

  • Come Dancing–The Kinks
  • Come Dancing [live]–The Kinks
  • Come Go With Me–The Beach Boys
  • Come Monday–Jimmy Buffett
  • Come On (Let’s Go Tonight)–Bruce Springsteen
  • Come On Eileen–Dexy’s Midnight Runners
  • Come On Eileen–Dexy’s Midnight Runners
  • Come On Get Higher–Matt Nathanson
  • Come On Home–Mary Chapin Carpenter
  • Come On, Come In–Velvet Revolver
  • Come Out and Play (Keep ‘Em Separated)–The Offspring
  • Come Sail Away–Styx
  • Come So Far (Got So Far to Go)–Hairspray Cast
  • Come Together–The Beatles

The opening two tracks for Tuesday’s exercise are my studio and live versions of the Kink’s “Come Dancing”, the song that first got me into the group, and seeing how awesome their earlier work is, makes that song an important and beloved touchstone in my musical education. Plus it’s a great story song that is fun to sing along with whenever it plays. The next two songs are appropriate summer numbers from the Beach Boys and Jimmy Buffett. The Springsteen number is a previously unreleased track from his Darkness on the Edge of Town sessions, which leads into my first-ever “favorite song” Dexy’s Midnight Runners only US hit, “Come on Eileen”. I didn’t really listen to music until I was 14, when I started listening to popular radio. “Come on Eileen” started rising up the charts, and it was my first go-to radio song.

So I’m listening to “Come On Get Higher”, a song my daughter purchased on iTunes a few years back and I find I’m really enjoying the song, but I don’t know the name of the artist. When I look him up, I see that he’s also the singer of “Laid” from the third American Pie movie, American Reunion. I couldn’t believe the two songs came from the same artist (although it made a bit more sense when I learned that “Laid” was originally a James song and things made a bit more sense. We actually have a third Matt Nathanson song, a cover of a Muppets’ number “I Hope that Something Better Comes Along” from The Green Album. I have to hand it to Nathanson, able to create such different tunes and styles is quite a feat. (To be honest, the three songs I own could be the outliers–for all I know, all his other songs may sound the same,)

The hits keep “Coming…” (Ha! Get it? Anyone? Is this thing on?) with Mary Chapin Carpenter and Velvet Revolver, which I’m pretty sure was a common double bill for summer concerts tours.  Next up was a favorite of my kids (and admittedly, me as well), The Offspring and a classic 80s band, Styx. My youngest daughter added the Hairspray number to the collection, but the comparison to the next song, “Come Together”, made the Fab Four’s number even sweeter.

Wednesday, July 25, 2012

3.25 miles on the elliptical machine at the gym

  • Come Together–The Beatles
  • Come Undone–Duran Duran
  • Come Undone–Duran Duran
  • The Comedians–Elvis Costello
  • Comfortably Numb -[live]–Pink Floyd
  • Coming Around Again/Itsy Bitsy Spider [live]–Carly Simon
  • Coming Back to You–Martin Gore
  • Coming Back to You–Trisha Yearwood
  • Coming Clean–Green Day
  • Coming Home for Christmas–Kristy Starling
  • Coming Up–Paul McCartney

Just as Tuesday’s list ended with an Abbey Road classic, Wednesday’s set began with the same song, this one from the compilation album. It’s a double double as two copies of the Duran Duran song “Come Undone” comes next, followed by an Elvis Costello number. Hearing my one copy of “Comfortably Numb” by Pink Floyd reminds me of one of the major holes in my record collection–we do not own The Wall. (it’s tough to admit, so I just need to think what Jack Black’s character Barry said in High Fidelity to the shopper that didn’t own a copy of Blonde on Blonde–it’s going to be ok). We will have to rectify the Floyd oversight at some point, however. After Pink Floyd live, I got another live number, this time from Carly Simon, a mashup of her hit “Coming Around Again” and the children’s song “Itsy Bitsy Spider”.

We own two covers of Leonard Cohen’s “Coming Back to You”, which led into Green Day and a nondescript Christmas carol. Things closed with a third live song in this list, one by Paul McCartney. I actually don’t think I’ve ever heard the studio version of “Coming Up”, but that’s not an oversight I need to correct as quickly as The Wall.

 

The halfway point to Christmas Eve

We’ve instituted a family movie night, where we rotate who gets to pick the movie and everyone has to watch it. Tonight was my wife’s choice, and she wanted to expose the kids to High Fidelity. (See–it’s tied to music!) Now first of all, if you haven’t read anything by Nick Hornby, who in addition to writing the novel that the move was adapted from, wrote About A Boy and Fever Pitch among others, correct that oversight as soon as possible. The movies of all are outstanding as well, but let me be clear–I have only seen the British version of Fever Pitch, where Colin Firth was obsessed with Arsenal soccer. I have not seen the Americanized version about the Red Sox (you’re probably thinking–Dean, you’re a Red Sox fan, why not?) starring Jimmy Fallon (and you have your answer). High Fidelity is my favorite of the three, as the drifting slacker, the music, and the interest in making lists all speak to me, plus this was Jack Black at his peak.

Tuesday, June 26, 2012

3.31 miles on the elliptical plus upper-body weight work

  • Carol of the Bells–The Calling
  • Carol of the Bells–Barenaked Ladies
  • Carol of the Bells–The Nylons
  • Carol of the Bells [Instrumental]–David Foster
  • Carol of the Bells/Jingle Bells–Barry Manilow
  • Caroline, No–The Beach Boys
  • Carolina, No–They Might Be Giants
  • Carousel–Blink-182
  • Carouselambra–Led Zeppelin
  • The Carpal Tunnel of Love–Fall Out Boy
  • Carpetbaggers–Jenny Lewis featuring Elvis Costello
  • Carpetbaggers–Jenny Lewis featuring Elvis Costello
  • Carry On–The Byrds
  • Carry On–Crosby, Stills, Nash & Young
  • Carry On Wayward Son–Kansas
  • Carry Out–Timbaland featuring Justin Timberlake
  • Carry That Weight–The Beatles

Somewhat timely that exactly 6 months before Christmas Eve sees me getting another run of Christmas music, specifically five different versions of the “Carol of the Bells” (although thankfully, the Family Guy “Ding, Fries Are Done” version is not included). I’ve actually always thought of this number more as an instrumental than a lyrical song, so you’d think the David Foster version would appeal to me most among these, but I like several of the others for different reasons as well. The Barenaked Ladies version is instrumental as well, and they take the song a bit more seriously than some of the other standards on their holiday album, so it works for me as well. While the Nylons version involves singing, the a cappella group sings the dings and dongs of the tune. And who doesn’t like  a good holiday medley when Mr. Barry Manilow is crooning the selections? Just me then? Moving on…

I feel that “Caroline, No” (which apparently was supposed to be titled “Carol I Know” originally, but when sang, Brian Wilson eventually changed it to the homonym phrase version) isn’t a Beach Boys song I gravitate toward listening to as much as their other hits even though I prefer their later work to the early sun, beach, girls, and cars tunes. The They Might Be Giants cover is a strange one, and it comes from one of their many EPs (they seem to be one of the few acts that have continued the awesome concept of releasing EPs with one-two songs from a current album plus bonus rarities and covers).

Two of the next three numbers come from bands that my kids love, with Blink-182 being a favorite of my son and Fall Out Boy beloved by my oldest daughter. In between I got a Led Zeppelin song that came from my collection (much to my wife’s chagrin). I get her dislike an anger over the 70s-initial-rock-but-then-softer-sounds bands like Styx, REO Speedwagon, and Journe, but her dislike of Zeppelin (and a band I get later on during this list, Kansas) is a bit more puzzling to me. On the Kansas front, who’s against listening to “Carry On Wayward Son”? Luckily for my wife, a song she really does enjoy came next on the list (two times!). We both already liked Jenny Lewis thanks to Rilo Kiley, but when she released a single teaming with my wife’s favorite, Elvis Costello, and it was a great song, that love became permanent and complete.

Five “Carry…” songs carried me through the rest of my workout. Four of the five were old 60-70’s hits, including two “Carry On” songs by the Byrds and Crosby, Stills, Nash & Young, as well as the aforementioned Kansas number. I also got an Abbey Road number, specifically the penultimate song from the medley. I’ve said it before and I’ll say it again, I prefer hearing the medley in its entirety, and any time I hear one song, it makes me want to put the whole album on to hear it all properly. The last “Carry…” song is far and away the most modern, a Timbaland/Timberlake collaboration. It’s not a favorite, but it does get the blood moving when working out.